The Gesture
We played many games in those days.
Our favorite was the invention of signs
which allowed us to make meaning
where previously there was emptiness.
the finger curved in beckoning was the first thing he doubled:
then it meant Let us leave the shade
as well as the usual.
I would extend my arm across my skinny chest and
take gentle hold of my shoulder, which meant:
I want to leave or I don't know.
He would knit his brows
while smiling, which meant:
I am conflicted or Turn back, it's unsafe.
We loved the multiple gesture;
we nodded approvingly, which meant:
We will keep going or Help us, we are lost.
Often, lost in invented connotations,
we mistook each other entirely,
passing motion between us
as tired workers pass empty words for the sound
rather than the thought,
as birds stretch their wings
for pleasure rather than flight.
He held my hand.
Summer
The counselors say the usual
endorsements, be kind, be kind, be kind,
until the words loosen against minds, religion,
a repeating game. And the children love coyotes,
love when they tear the body unwhole, the rabbit.
This land is your land, this land is my land. The hart was killed
by the wolf; the wolf was killed by stones, by farmer’s metal.
And now there is solace, now there are dogs.
Be kind, be kind. This land admires our voice.
The children love to eat the songs
and the songbirds.
Mihir Bellamkonda is a DC-based poet. They were a finalist for Black Lawrence Press's St. Lawrence Book Award and have work published or forthcoming in Variant Lit, The Offing, and the Nashville Review, among other journals. They can be found on socials @MihirWords. They are honored to be read.