Acting Out the Ending
It doesn’t feel real that I lived in Cairo, but the evidence is scattered around my apartment. It sits on my bookshelf, hangs on the wall in a green frame. There are digital files of photos I don’t look at. But they are there, and the man who saved my life lives one town away whether or not we speak.
Several years ago I received a beautiful backgammon board as a parting gift. Inlaid with mother of pearl, the white spaces alternate with thick black enamel in geometric patterns like tiles in a mosque. We played on it before I knew it was mine. The game pieces are dime-sized tokens of smooth wood. They made satisfying clacks as we navigated them around the board until I lost, again.
“Damn,” I would curse under my breath, as we downed the last of our foreign beer and takeout koshary from Felfela.
My American boyfriend would sit back and laugh. He was tall, and smart, and he spoke beautiful Arabic. He lived with a roommate on the sixth floor of a dusty gray building off Tahrir Square in downtown Cairo. Ahmed, one of the doormen, had a problem with our unwed state and wouldn’t let me in the building. The other’s morals could be bent in exchange for baksheesh, either alcohol or a wad of Egyptian pounds.
One night Sam snuck me in while Ahmed slept on a cot beside the stairs. I waited outside the building while Sam scouted.
“Coast is clear,” he said with a bright grin. “But you’re gonna need to take off your shoes.”
I climbed the stairs in panic mode, clutching my heels in a sweaty palm.
“What kind of reporter are you?” I demanded back in his apartment. “That you didn’t notice your lease had a no ladies clause?”
“One of us didn’t come here for dates.”
“Hey! You asked me out.”
“Yeah but you were asking for it.”
“Perv,” I said, but this city did feel easier with a man of intimidating height around.
We’d met at After Eight, one of few clubs that didn’t close for Ramadan. Expat camaraderie ran high and I’d worn a sleeveless dress under my jacket, which yes, in Cairo, is asking for it.
From my first week in Cairo we’d been sitting in plastic chairs at a local café drinking sweetened Turkish coffee or hibiscus juice, puffing on a flavored water pipe, where I would lose more rounds of backgammon. Our dating had happened so quickly it felt like my Cairo life. Eat falafel. Smoke shisha. Go to Sam’s. I let him handle any necessary conversation. Teshrubi eh? A server might smile in my direction, but Sam would step in to help. He knew I was afraid. Afraid to draw attention to myself. Afraid of what I’d do when he left.
I hugged his gift to my chest and helped him to a cab for his flight back to the states.
“Take care.” He said, and that was it.
December nights in the city were still warm, but I was dressed in heavy loose layers, an attempt at camouflage. I ducked into my own cab and directed the driver in curt Egyptian Arabic to New Cairo, my expensive verdant campus in the middle of the desert. Our walled and lonely oasis was safe, but not much else. New Cairo had been envisioned as a solution to Cairo’s crowding, but for now only skeletons of houses and duplexes lined imagined cul-de-sacs. Men in traditional robes would dangle their legs off the sides of balconies and chain smoke for days. Development was stagnant.
The campus rose out of the desert like an eerie shrine in a Hayao Miyazaki movie. A system of fountains kept us cool during the daytime, but we were exposed to the nighttime’s chills. A Texan friend and I would sneak out of the residence to watch episodes of the X-Files on the roof of a lecture hall, the desert laid out before us like an endless frozen ocean. We would pull our wicker chairs close and try to hear our laptops over the wind without disturbing campus security from their naps. Unofficial policy frowned on students of the opposite gender huddling for warmth on rooftops, but no one else shared our love of 90s conspiracy theories; the lounge was 24/7 football. The fake kind, as the Texan would’ve said. The sleepy guards were hardly intimidating. The only building off-campus within walking distance was a Chili’s in an unfinished mall that served shisha until 3:00 A.M. Our entertainment options were limited and our work load was light.
There were two dorms, one for men and one for women, with a small open-air living room in between where we were allowed to interact. The suites were organized with four single occupancy bedrooms, two bathrooms and a shared kitchenette. Maids came to clean them regularly. Grime and sand accumulated quickly on the tile floors. The only residents were foreigners and a handful of Egyptians from outside Cairo. Schoolwork was painfully easy. We had plenty of time to flee to the European style beaches at Dahab, Herghada and Sharm el Sheik. One of the first trips organized for students in the Arab Language Institute was a David Guetta concert on the Sinai Peninsula. AUC presented Egyptian culture in its most Photoshopped light, but not even all the Armani sunglasses on campus could hide the inequality and tension that escalated in the months leading up to the Arab Spring.
My first weekend away some Egyptian classmates invited Mandolin, a study abroad student, and me to Marina 5 on the Mediterranean. We lounged under a cabana while the host’s butler served us oysters, Stellas and hash. The neighborhood had mass-produced artificiality to it, trying hard to mimic the other side of the Mediterranean. I was surprised to see how quickly the desert turned into ocean, not buffered by vegetation.
On the way back to the city my friend Mischa’s car got a flat tire. The Alexandria (or “Alex”) highway’s three-lane current rushed past us like rapids. Lanes were only painted on Egyptian roads for show. There wasn’t any consensus about whether you’re supposed to drive on top of the white dashes or in between them. The roads were either completely gridlocked or a recreation of Frogger. After the tire was replaced, our student caravan pulled back into the stream of traffic. We were nearly back on campus when Mischa asked if we wanted to see real Egyptian driving, teasing Mandolin and me for our queasy expressions. He didn’t wait for an answer to begin accelerating. We flew across the smooth pavement, approaching two trucks that began drifting in towards the center lane.
“Shit,” Mischa floored it, recognizing we would not be able to break in time, or swerve around. We sliced in between the two trucks. The rear view mirrors smashed off with a metallic tear and thudded off the roof of the car.
He shrugged. “That was nothing.”
Egypt was thrilling. Because every drive felt like a car chase. Because I was speaking a new language. Because I was living in beautiful Cairo, spending weekends at my new friends’ beach houses. Later this would change. In one of many stunning displays of injustice an AUC student would be fined about 15 USD for driving his BMW into a crowd of pedestrians, killing twelve. Later my friend would be hit by a cab in a hit and run and spend months in a wheelchair with two broken legs. Later I would be assaulted and ignored by the police like others before me.
AUC began to feel like a playground for rich young Cairenes. Most students were chauffeured from their family homes and spent the day in clusters smoking and drinking iced coffees from Cilantro, Egypt’s answer to Starbucks with European portions. Only half the women students on campus wore hijabs. The Spanish style was most common, leaving the neck exposed, unlike in downtown Cairo, where women were commonly cloaked in black abayas and niqabs, if they were leaving home at all.
“Keep an eye on the veiled girls,” an Egyptian girlfriend remarked. “They get less and less modest each year. At the beginning of the year ankle-length A-line skirts were a common sight, then straight denim skirts until they were replaced by above the knee tunics with leggings.
A friend from Riyadh, Sara, panicked every time her father was visiting, “No one mentions that I’m not wearing the veil. It’s worse than awkward.” AUC was not real Cairo. AUC was a rumschpringe. Sara and I signed up for all the touristy Cairo events together. We have pictures together on Nile felucca rides, astride underfed horses at the pyramids, outside the mosque Al-Azhar.
Most of the other residents in the dorms were older study abroad students. My roommates came from Cyprus, from Germany and one from Japan. The only two other American freshman had Egyptian family. “Are you seriously planning on spending four years here?” Everyone I met asked.
“Well I was until I got here,” I would joke.
#
“I’m going to Egypt,” I announced to my mother and college counselor in September 2009, my senior year of high school.
“No, you’re not,” my mother said.
“How about Ohio?” My college counselor contributed.
“Not willingly,” I said. I didn’t want to go to college. I wanted to go to Egypt. Egyptian university seemed like a good compromise.
Excellent Google skills had brought me to advertisements for the American University in Cairo’s brand new campus. It was perfect. I was going to learn Arabic, and I would bypass all the first-time away from home nonsense. No falling down drunk through small town USA. I was moving to Arabia, were everything would be a fun adventure.
That’s right. Where other people saw religious conflict and safety issues, I saw “fun” and “adventure.” Without my parents knowledge I began completing the application. I had sent off the requisite negative HIV test, my recommendations. The only thing left was a short essay.
Then my parents found it.
“No, no, no, no, no,” my mother said. “You are not going there.”
I accepted defeat and left my application incomplete. In March I received a thin cream-colored envelope telling me I was in. I hadn’t even written my essay and they were offering me a hefty scholarship. I concentrated my 18 years of whining expertise into just “a year or two” in Egypt. Like a gap year. Only with credit. And it worked, though in the end I would spend only a semester in the Nile Delta.
#
I said goodbye to my parents at the airport.
“It’s not too late to stay. You don’t have to go,” my mother begged.
“I’m good,” I rolled my eyes and ducked into security.
#
I would take a campus shuttle to Sam’s place after school and walk the two longest blocks in the world to his place. I wished he would meet me at the bus stop, but I didn’t want to concede my weakness. It was two blocks. Two blocks. Things don’t go wrong in broad daylight in Wust El-Balad.
Surprising no one but myself my fearlessness faded each time I left campus. Constant harassment shredded my sanity. I was stalked by two men and got lost trying to get away from them before a stranger distracted them and I hailed a cab to flee to Sam’s.
“What took you so long?”
“I got lost.”
He laughed. I wanted to cry.
I didn’t go to Cairo to live like a foreigner, but that was the only world open to me if I wanted to be safe. I was jealous of my boyfriend, that he would be welcomed to strangers’ weddings and parties. Asked to talk politics with the café regulars. I would have my ass, my chest grabbed by sneering men, walking two blocks by myself.
It was the Texan, not my boyfriend, who saved me in Alexandria. My boyfriend texted me on my cheapo drug dealer phone to tell me he’d gotten an assignment last minute.
“What are you guys doing tonight? Last chance to join me for a little road trip!” I interrogated a table of my friends at lunch as they downed shawerma.
“We went to Alex last weekend.” Maja supplied. “Come to Dahab! We’re gonna do yoga with the hippies and bask in the sunshine.”
“Spoiler alert: the Alexandria Library is super depressing. You don’t need to go,” Mo said.
“I’ll go,” the Texan said.
“Hooray! Can you ask your classes and see if anyone else wants to go?”
The Texan was a grad student on a Boren scholarship from the Department of Defense. We sat next to each other on the train didn’t notice the two-hour delay, while Stephen and Naz from the Texan’s Arabic class suffered behind us.
He held a crumbling copy of Robert Jordan’s “The Eye of the World” but didn’t open it.
“What’s that?” I asked.
“Sci-Fi.”
“Nerd.”
“I have a degree in Math.”
“Wow.”
“But I play basketball.”
He did have the body for it. “I don’t think you can be redeemed.”
“You’re the one who never leaves the dorms.”
“I do! My boyfriend lives in the city.”
“Ahh. Well maybe I’ll let you borrow the book. I bet you can be converted.”
“I do love me some George R. R. Martin.”
“So it’s not a lost cause.”
“Have you ever watched the X-files?”
“Yes.”
“I have every season on my computer.”
“Ha ha. I’d stay in my room too then.”
“I don’t hide in my room. I have a boyfriend.”
“Allegedly.”
We dropped our bags at the New Capri hotel and left to wander the corniche and sip sobia in wicker chairs before a glittering Mediterranean.
“If you make me sit with her again, I will strangle you two,” Stephen whispered as Naz giggled with a guy named Mahmoud she seemed to know from Cairo.
“I’m the one who has to room with her,” I said. The Texan gave me a look. “He invited her.”
“Why did you invite her?” Stephen asked.
“I invited the class. Because Miss Anna here asked me too.”
“I think she likes you,” I said, admiring her healthy layers of brunette frizz.
We transferred the party to our hotel, laughing as we climbed the stairs. I nodded a greeting towards two somber men behind the desk. Naz and my room had a broad balcony overlooking the sea. The Texan had stocked up on Auld Stag at Drinkies and we passed the bottle around for a couple hours, cramped together in chairs we pulled out from both of our rooms.
“That’s not what drone use is about,” Naz argued with the Texan about defense policy I understood less and less with each swallow.
“Where did you guys wanna go tomorrow?” Stephen interrupted.
“The catacombs! I have a list in my guide book,” I realized I was talking a little too loudly. I could feel the Texan’s leg against mine and a blush creeping into my cheeks. “We should probably call it a night.”
“Goodnight boys,” Naz’s voice sounded like a constant whine.
“See you in the morning.”
We left the chairs on the balcony. The door shut with a soft click behind the guys as Naz and I changed into pajamas. I collapsed in the bed closest to the door, and felt my brain pulse against my skull. Ugh.
“G’night,” I said as my head swirled.
“You are probably gonna have to shake me awake in the morning.” She groaned.
“Hah. Don’t worry. I have an obnoxious alarm. Get pumped for sightseeing!”
The digital clock glowed a green 4:17 and I feel asleep.
I’d had nightmares where I’d found myself paralyzed before an approaching monster. Dinosaurs. Burglars. It took me too long to realize that the heavy shape on top of me was not a dream. There was something there, someone there. I felt his knees against my legs through the blankets. And saw someone else standing by the door. Don’t move, don’t move and they won’t notice you’re here. I thought and lay petrified, unable to scream, until I realized I was the reason they were there. I gasped. The form thrust a hand over my mouth and I screamed—choked out a pathetic sound and bit down on his hand. He grunted and the other form moved closer.
“Naz, run, help!” I shrieked and tried to push him away, but I couldn’t raise my knees and my one free arm wasn’t strong enough. “Help, help, help!”
The form by the door slipped out of the room into a flash of light that illuminated the receptionist’s face above me. “Help, help, help,” I choked against his fat hand, and used my free arm to bang at the wall. I heard a scream beside me and thumps as Naz began to bang at the wall.
“Stephen! Jake! Help!” I heard her rasp.
“Anna? Anna!” The Texan was the first to rush in. He grabbed the receptionist by his collar and yanked him backwards off the bed so that the receptionist fell towards him and they both tumbled to the ground.
The receptionist got to his feet, tripping over his unbuttoned pants. The Texan moved to follow him.
“Jake, Jake, help,” I sobbed. He came to the bed and put his arms around me.
“It’s okay. It’s okay.”
Naz came over and stroked my hair, “Oh my god. You’re okay. Thank god.”
Stephen entered the room panting. “I…lost…him…upstairs…”
“Nothing happened. Nothing happened,” I muttered for myself and the others. “Nothing happened.”
“It’s okay. It’s okay,” Jake held me tighter. The clocked glowed 5:46.
“I want to be asleep,” I said.
“We’ll stay in here. Stephen can you get our blankets?”
“Can you stay with me?” I held onto Jake.
“Yes.”
I closed my eyes and Stephen came back into the room and fluffed up his comforters on the floor. Naz had gone back to her bed. After a few minutes I felt Jake’s arms relax around me. I stayed awake until my phone went off at 8:00. Jake was lying beside me in his boxers. I was braless, in booty shorts.
“You’re okay,” he whispered, too quiet for Stephen or Naz to hear.
#
“Nothing happened,” I explained to Sam when I told him the story.
“Nothing happened,” he agreed.
#
What happened was we packed our bags and walked down to the lobby, the Texan holding on to me.
“He was in the room.” I spotted the smaller of the two forms behind the desk as we came down the stairs.
“Are you sure? I didn’t see him.”
“He was in the room.”
“Fuck. Stephen go ask him some sightseeing questions while we get the cops.”
Naz, the Texan and I walked out of the building. We had passed a police station only a few blocks away the night before, but had to circle around several times before we found it. An officer squatted out front, smoking a cigarette.
“We need help,” Naz was the closest to fluent. “Two men broke into our hotel room. They tried to hurt her.” She pointed to me.
“Okay,” he said and got to his feet. “Where are you staying?”
“New Capri.”
He stubbed out his cigarette and opened the door of the station to shout something.
“Yalla,” he started off.
Stephen was there at the desk with his back to us as we entered. The receptionist blanched. Stephen kept talking, pointing to something in a pocket language guide.
“Him,” I told the police officer. We approached.
The officer began to speak in rapid grunts I didn’t follow. The receptionist feigned shock.
“He says he wasn’t in the room. He says he heard a lot of noise.”
“He was in the room.”
They spoke again. “He was in the fucking room,” I yelled at the officer. “This piece of shit and his fat friend broke into my room.”
“That language is not necessary. He says he was not in the room. You can come to the station and file a report.”
“I don’t want to go to the station. You need to take him to the station.” I looked at Jake.
“We can go to the embassy in Cairo. It might be better to go through them.” This scene is the worst to remember. My friends looking at me as if they weren’t sure he had been in the room. The cop looking at me with the same blank gaze as the man behind the desk. The man who stood in my doorway while his friend climbed on top of a sleeping girl.
My body didn’t feel big enough to contain the hate pulsing through my blood. “Fine. Let’s go.”
#
“This isn’t a fun adventure,” I told Jake on the train.
He squeezed my hand, “I know.”
#
U wanna watch some Xfiles? Jake texted me. U shouldn’t b by urself.
It seemed like a good idea, a distraction from the anger festering under my skin. We started spending nights together, picking out movies for each other. The chair arms formed a thin barrier for wind to slice through. I still went to Sam’s on Thursdays and Mondays.
One night in December after we’d watched Scully and Mulder track down a liver eating immortal, Jake sighed and shut the computer abruptly.
“Okay, no smoking man, but still a good episode—”
“Anna,” he paused. “Will you come with me to Beirut? I think—”
“I can’t.”
“Then we need to stop doing this.”
“I can’t.”
He pulled me out of my chair, “Please. I want to be with you. Why are you doing this if you don’t?”
I didn’t have an answer so he tugged me closer and put his mouth on mine.
A few days later, I left with Sam for Amman. He was going back home to New York on the 22. Jake had left by the time we got back.
#
I spent my last two days in my new apartment on Maadi’s Road No. 9. It was beautiful and bright and all I could think was how will I come back here? One month later, the school closed indefinitely and I didn’t have to. I transferred back to the states where I can almost feel safe alone. My only reminders of fear the gifts from those who kept me safe: a worn copy of “The Eye of the World,” and a backgammon board I can hold my own on.
Danger Panzer’s work has been featured in Word Riot, Punchnel’s, The Millerton News, Marco Polo Arts magazine and others.
She Thinks of the Moon
I watch Molly’s gaze lift to the bowling alley’s stained ceiling tiles, eyes edging wider beneath shimmering blonde bangs, peach-glossed lips parting as if she is about to lick them, but she doesn’t. She only blinks and sees me staring. With an apologetic grin she returns her attention to the orange-swirled ball cradled atop her hip, its hard curve pressing into her softer one. That reminds me how I confused intersection of circles with union in my freshman Analytic Geometry quiz. For a heartbeat there is silence.
Her beauty is in her face, the marmoreal smoothness of her skin, the radiant gleam of translucent blue eyes, a symmetric smile. Flesh. Why is my instinct to focus on flesh? Surely hers is not the sort of beauty age will steal. There’s something deeper to it, something I am too dense to interpret. I think of the soft yielding of our kiss last night, her mouth parting, her sharp tongue teasing then reproaching mine. Not so fast. She ducked inside, putting the screen door between us. “See you tomorrow?” I said. She nodded once, eyes flitting from mine. The door clicked closed, leaving me to savor an afterimage of hair silvered by the moon’s light, and the vanilla sweetness of her body spray.
A clattering bang resounds from three lanes away. I watch the bowler, a chunky guy in a Green Bay Packer shirt walk back to the scorer’s table, doing his best not to smile. The air smells faintly of beer, the floor next to our lane sticky where the some frat guys got sloppy with their pitcher, but the lanes themselves glisten, reflecting the bright blue paint above the pinsetters.
Molly blinks again, almost looking up. Her fingers seek the finger holes, caressing their edges as if they are craters to be explored, craters inhabited by darkness.
I hoped bowling would put her at ease. A public place, I figured, a basically unromantic activity with lots of noise. That ought to diminish any thoughts of date rape or uncomfortable advances. She never seems at ease with me, never lets down her guard. How do I break through? How do I show her this is more than skin deep?
She starts her stutter-step toward the pins, ball swinging an imperfect arc beside her. I catch myself staring at her ass, the fabric of her white pants pulling taut, releasing. My pulse thuds and retreats. I glimpse us rolling in the gutter, my darker flesh pressed to hers, legs entangling while the orange ball rumbles past.
Is this more than skin deep? Am I capable of more than lust? I fidget, wishing for a cigarette. I quit smoking last week, long enough to know I’m serious, but not long enough for the nicotine stain to fade. It’s hard to change who you are in a week or even a month, but people do it all the time. Sometimes in a single instant lives are changed forever. At least that’s what I remember the M.A.D.D. speaker telling us from the auditorium stage the last week of high school. I remember her eyes glittering like marbles in the light illuminating her podium. The rest of the room was dark in anticipation of a slide show that never quite got untracked; some technical glitch or other. We ended up hearing about mangled bodies rather than seeing them, and going back to homeroom to finish out the morning.
When the ball finally reaches pins the strike looks promising at first, but quickly deflects, leaving four standing. This girl is different, I tell myself as she turns and slide-shuffles back to the ball carousel, eyes drifting skyward once again.
When she returns from her second ball — leaving two of four pins standing as the sweep descends — I stand reluctantly. She presses past, arm brushing mine. Is she playing me? Is some frustrated boyfriend watching from the snack counter? But when I look into her eyes, that radiant blueness of her gaze, I cannot believe betrayal. She is pure. It must be me who is flawed.
Her ball bumps mine, bringing to mind those click-clack balls my teacher in third grade took such pride in. But they were silver, not black and orange. Why should I think of that now? Clack and click, click and clack, back and forth, forth and back, trying so hard for union, never managing more than momentary intersection.
She gazes into my face, waiting. It seems every girl I date does this at some point; I’ve yet to solve the riddle. With Molly even this ritual seems different, her gaze quietly open rather than accusing. She makes me want to talk, not scream.
“Look,” I say, gulping my nervousness, “I don’t know what’s going on here, you know, between us or whatever. I’m sorry I tongue-kissed you last night, if that’s it.”
She smiles. “No, that was nice.”
Then what? “If, well, you know, if you’ve never been with a guy, I mean that’s okay. I–”
“No. It’s not that.” Her eyes drift, following a mote floating upward through the fluorescent lighting. If I can’t even hold her attention now, what hope is there?
“Or if some dude treated you bad, you know? I’m not like that. Tell me his name and I’ll break his legs or whatever.”
She laughs at that, an unscripted giggle that lights my emotions.
“There’s going to be an eclipse tonight,” she says. “I was hoping…”
“What?” Anything, my thoughts whisper.
“Would you like to see it? There’s a hilltop gazebo over by Harmon Hall. I thought maybe we could go there and watch.”
“Sure. Why not?”
The last three frames fly by. I don’t even recall what my score was.
#
We stroll, hand-in-hand, beneath a full moon. In its light she seems weightless; her smile is a comet. I watch her lips as she talks, teeth so white they leave afterimages. I want to kiss her. I lean toward her, but she leans away, not rudely; enough to send a message.
She stops abruptly. “Would you really break his legs?”
I search her face for laughter. She seems serious, or almost so.
“Sure. I mean… yeah. If he hurt you.” Our eyes meet head-on, deflect. I try to lighten the mood. “Unless he’s, like, six-ten or something.”
She laughs, the moment shattered, having served its purpose. I feel like a rock climber scaling a sheer cliff, one more pinion planted, one more foothold made. She squeezes my hand and we continue.
“Would you break your own legs for me?”
“What?” It’s my turn to stop abruptly.
“If you hurt me,” she says. “Say you hook up with someone else, break my heart. Would you shatter your own kneecaps to protect me?”
“I don’t understand.”
“My last boyfriend told me I was beautiful.”
“You are.”
“He said he loved me.”
I do, I think impulsively. It’s too early for that.
“When I broke up with him, his love turned to hatred. You know? He started spreading gossip behind my back, turning my friends against me. It got ugly.”
I think of my high school girlfriend telling me on the phone that we should date other people in college, open ourselves to the new experience, my mind substituting ‘my’ every time she said ‘our’. Emotions roiled, smoky and dark like cigarette smoke held deep in my lungs, leaking only slowly through my nostrils. I hated her in that moment between comprehending her words and my tongue managing,”Sure,” into the mouthpiece. “I understand.” It had only lasted the night. I could not imagine hating her the next day. Whenever we passed in the halls that final week we smiled, we touched, but we never again connected.
“How could he love me one second and hate me the next?” Molly says, voice lower than usual. “That’s not love, is it?”
“Did you love him?” Jealousy colors me long enough to make me squirm. A silly impulse. Everyone has a past.
Molly’s forehead creases, opens, creases again.
“I wanted him to love me. Is that what love is? Is that it?” She glances into the night sky. “I used to daydream about living on the moon. You can jump into the sky whenever you choose, but there’s still enough gravity to bring you back down if you want. It’s not like Earth.”
I look into Molly’s eyes. “I won’t hurt you.”
“Cross your heart?” Her face is unreadable, but I see a new softness in her gaze. It makes me smile.
“I like my kneecaps too much.”
She giggles and pulls my hand closer, nearly touching her hip. I feel like I could kiss her now, but I don’t. That’s not the point.
She tugs me into motion. We walk without speaking. There was a time when that would not have been possible, when I felt a nervous impulse to fill every silence, but I feel comfortable with Molly. Even if she’s a little strange. My father used to call my friend, Eric, eccentric when he ate dinner over or spent the night. I’ve always liked the flavor of that word.
By the time we reach the gazebo, there are others there, singles and doubles, people with telescopes awash in silvery light.
We stand silently, watching the moon give way to blackness, two circles intersecting, one bright, one dark. I watch Molly vanish with it, her silvered hair, unblemished skin, her over-whitened teeth… her perfect ass.
And, suddenly, I get it, as if the night has fluoresced, as if a spotlight has shined down upon my sleeping mind. Click and clack, clack and click. My arm slips around her shoulders, but it is not her flesh I feel. Emotion rises through me, verging on tears. Maybe I’m eccentric too. Maybe.
I watch her watching, and smile.
Stephen Ramey’s work has appeared in various places, including Microliterature and The Journal of Compressed Creative Arts.
The Bucik Brothers Build the Eighth Wonder of the World
i
“Sorry, but quite frankly you don’t have a snowball’s chance,” said Shelton, his lawyer. Shelton had advised Henry and his wife five years before on the sale of their home in Crystal Springs and their subsequent purchase of their downtown condominium overlooking the lake. But he also had considerable experience dealing with commercial real estate developers and municipal zoning officials, so his counsel was not to be taken lightly. “A snowball’s chance in hell, that is. I can draw you up a blue-ribbon petition, and you could collect signatures from every householder within a quarter-mile radius. I can draft appeals to the Zoning Board and to Historic Preservation, too. But the Bucik Brothers are about as connected as you can get in this town without being family—no, wait, there’s a nephew married to His Honor’s sister-in-law’s daughter, but that’s inconsequential given that the Bucik Brothers developed City Front Homes, financed Harrison Place, and are major equity partners in the construction of the new Convention Forum. Besides, their current interest in Lot 24 is the core of City Hall’s master plan to attract 20,000 new residents to center city, and do you have any idea of what that translates to in annual property tax dollars, over and beyond the sales tax revenues from the increase in transactions and consumption? Dear God, they even got the city to turn its back on the demolition of the Old Mercantile Building, Tiffany dome and all, despite the opposition of the Preservation Council, the City Beautiful League, and the Association of Architectural Historians, and you think you’re going to stop them from building the Bucik Tower simply because you want to keep your unobstructed view of the lake? Besides, they’ve always coveted your block, and they would’ve had it, too, if your condo board and the Preservation Council hadn’t made an end run around the city and gone direct to the Feds. And, believe me, that won’t happen again.”
“One small victory for our side,” said Henry.
“Right, and don’t think the Bucik Brothers have forgotten either! Listen, I’ll be happy to spend a couple of $250-per-hour hours researching your options, but frankly, and now I’m speaking against my own best interests, it would be a waste of your hard-earned retirement savings, because even if you had a leg to stand on, which I’m pretty sure you don’t, the Bucik Brothers would bury you, level you quicker than a flea-bitten flophouse.”
Of course, Shelton was right. But Henry was not yet ready to admit defeat, and since municipal regulations and the zoning code would provide no relief, he decided to seek extra-legal support and visit Madame Tamara.
Admittedly, this was an extreme measure, but he regretted not having resorted to extreme measures when faced with hopeless cases before, in particular when his wife was dying of ovarian cancer. Angela had always said that her grandmother—born in Bukovina and said to be a hundred at the time of her death—swore by the “cures and curses of the gypsies,” and during Angela’s last days, as Henry sat by her bedside holding her hand, he was certain that he had heard her whisper once or twice, “the gypsies, the gypsies.” He doubted that Angela had Madame Tamara in mind or that she thought any good might come from a visit, but he regretted not having then sought her out–or, at least, another of her kind–if only to reassure himself that he’d done everything in his power to save her. Now he would leave no regrets behind, although this time he intended to visit Madame Tamara not for a cure but for a curse.
ii
A hand, with stars trailing behind it and an extended finger pointing upward, directed him to the second floor where he could have his palm read, his spirit cleansed, or his body massaged. Madame Tamara shared her building with an adult bookshop, a discount liquor store, and a shop selling pizza by the slice, all the final vestige of the ramshackle district into which the neighborhood had sunk before the abandoned warehouses and tenements had been transformed into condominiums and lofts, before the sales sheds and derricks sprouted in every corner parking lot.
A dark, narrow staircase led to a dark, narrow corridor, and Henry found himself under the observation of a woman in a bathrobe leaning against a doorjamb as he approached Madame Tamara’s office at the far end of the hall. Another young woman was sitting behind the desk in the reception foyer of the office, and if it weren’t for the wrinkles at the corners of her mouth and the sagging skin beneath her deep-set eyes, Henry would have assumed she was hardly twenty. Her pale complexion led him to doubt that gypsy blood coursed through her veins, although she was wearing a multi-colored peasant blouse, sufficiently unbuttoned to expose some cleavage and sheer enough to reveal that there was no bra underneath.
“Sit down and lend me your palm,” she said as soon as he entered.
“I’m not interested in having my fortune read,” said Henry.
“Maybe not read, but improved, and your immediate love problems solved, if you so choose. You have been referred here, haven’t you?”
“No.”
“Well, give me your hand, anyway,” and this time, after sitting down across from her, he did.
“Oh, yes,” she said, stroking his palm lightly with the tips of her fingers, “I foresee all your tensions going away. And for just a hundred dollars.”
“A hundred dollars!” he exclaimed, quickly pulling his hand away. “For what?’
“To have your tensions removed. Or your love problems solved.”
“I’m not here for that!”
She leaned back in her chair, crossing her arms over her chest. “Well, then, if you’re not here for that, just what are you here for?”
“A curse,” he said. “A gypsy’s curse. Are you a gypsy?”
“I’ll get Madame Tamara,” she said and rose from her chair.
A moment later, a heavy-set woman, also wearing a peasant blouse, replaced her at the desk. Henry would have preferred, in addition, a colorful scarf wrapped around her temples, gold rings dangling from her ears, and costume jewelry up and down both arms, but she did have the requisite bronzed complexion and burning black eyes.
“Fifty dollars,” she said. “Fifty dollars for a gypsy’s curse.”
He reflected for a moment and agreed to her price.
“And who’s the unfortunate target of your wrath?”
“Not who, but what. I want you to curse a building site, one that may soon be under development.”
“No problem,” she said, and she handed him a notepad and a fountain pen. “The address, please.”
He wrote down the address and the name of the future development and drew a crude map of the site.
“Ah,” she said, “The Bucik Brothers. This won’t be the first,” and then she left him alone for a few minutes, returning with a candle and a small plastic vial, the remnants of a prescription label still attached to its surface. After lighting the candle, she stripped the page with its address from the pad, rolled it into a cone, mumbled a few words into the open end, and touched its point to the flame. Once it caught fire, she dropped it into an ashtray, and then after mumbling a few more inaudible words, she poured the cinders into the vial and stuffed it between her breasts. “It’ll stay nice and warm there,” she said, “like an egg in an incubator, and after forty-eight hours, your curse will be hatched. That’ll be fifty dollars, please. Cash.”
He counted out her fee in fives and tens.
“If you should change your mind,” she said, “and wish the curse to be removed, it will cost you another fifty dollars. But don’t wait too long. After forty-eight hours, it’ll be too late. Here’s my business card. There’s an emergency number there where I can be reached night and day.”
“That won’t be necessary,” said Henry.
“Think about it. Curses often have unforeseen consequences. And sometimes they bite back, and harder than you’d expect.”
“I’ve thought about it,” he said, leaving his payment and the card behind on the desk.
But he hadn’t really thought deeply enough about it. Otherwise, he would have been more explicit. A simple bankruptcy, a surge in interest rates, a failure of one of the Bucik Brothers’ riskier ventures, anything that would prevent the obstruction of a view he and his wife, when she was alive, had awakened to every morning since he had retired and moved back to the city. Certainly, he didn’t want to cause anyone physical harm, and, of course, even if he had heard about it, he would not have felt responsible for the freak accident—the bouncing cinder block that broke the leg of a worker–on that first day of demolition. Nor was anyone at fault for the scores of falls and mishaps, as well as the three fatalities, that plagued the site during construction. Spot inspections and investigations from the city and the Occupational and Health Administration slowed progress, but no negligence could be found on the parts of the developer, contractors, or subcontractors. A bolt of lightning, a swinging beam, a crazed pigeon, acts of God and bad luck, and it wasn’t until the Bucik Tower had become the Bucik Center, the Eighth Wonder of the World, and he learned that a newspaper columnist had suggested that the site may have once served as a mass grave for Confederate prisoners of war and therefore may have been cursed, that Henry again thought of Madame Tamara. But by then the columnist had been silenced by the threat of a lawsuit, and Henry had already been confined to his bed, from where no more than shadows could be seen.
iii
By the time the crews arrived one fall morning to demolish the vacant warehouse and the parking garage across from him, Henry had resigned himself to the inevitable. “I suppose,” he thought, “it’s a blessing Angela’s no longer here to see this,” and he recalled the pleasure she took in viewing the sun’s iridescence at dawn, and the slow white sails and sleek tour boats multiplying across the surface of the lake as the summer advanced, and the full moon trailing its silvery wake as it rose above the horizon.
“And I suppose none of that would be quite so precious,” he thought, “if we weren’t fated to lose it all some day,” and even though there was still an autumn chill in the air, he settled down on the terrace outside his bedroom, a tray of freshly baked scones and Angela’s best tea placed on the small garden table in front of him. He had resolved to take full advantage of every last day that remained.
But just as he was pouring his first cup of tea, the eastern wall of the warehouse across the street below collapsed and its roof imploded, driving a billowing cloud up from the ground. An updraft accelerated its climb, and although it became thinner as it rose to the twentieth floor, it still drew a fine, translucent veil between Henry and his view. A powdery film fell across the hot tea in his cup and black fragments of dirt speckled the butter melting on his scone.
Eventually water would be sprayed across the lot to control the dust, but still there always seemed to be a cloud, like the unexorcised phantoms of the old warehouse and parking garage, hovering above it, and there was little Henry could do to soften the pulsating racket from the jack hammers, the sledges, the rivers of brick and stone tumbling down chutes, and the roaring engines of the trucks hauling away earth and rubble and the steam shovels that had already begun to excavate even before the old walls had been flattened and the debris removed. Rivulets of yellow water flooded the streets and the gutters.
Now, to insulate himself from the dirt and the noise, he would keep the sliding doors to his terrace shut. But still he could feel the vibrations from pumps and compressors as caissons were bored and drained, and hear the muffled percussion of steel piers and sheet-piling being hammered through the sand and clay to the limestone bedrock below. Convoys of trucks—honking, braking, idling—arrived day-after-day, bearing their loads of steel beams and plates, bricks and blocks of granite, pipes and reinforcing rods, bales of cable and coils of wiring, mixing their exhaust fumes with the clouds of dust they stirred. Concrete mixers churned and steam engines chugged, it seemed, around the clock.
One morning he awoke to find what first seemed to be the huge triangular eye of a monstrous skeletal stork staring at him from above his terrace. A steel girder hung from its gigantic pointed beak, and when he rubbed the sleep from his eyes, the beak became the beam of a derrick, one of three poised at the corners of the block. By the end of the week, a tall forest of steel had been fixed into place, beams and joists running between the columns like interlocking branches.
As the girders rose upward, immense slabs of reinforced concrete were laid down, floor-by-floor. Pipes, ducts, and wire circuitry sprouted and coiled about the girders and then the joists like ivy and foliage, and teams of welders, riggers, fitters, stonecutters, electricians, plumbers, and plasterers populated the floors. Masonry stretched across the tower’s base, growing row-by-row, then sheeted with granite and marble, and above this foundation huge plates of structural glass were fixed into place.
As winter and spring turned to summer, Henry continued to avoid his terrace, but one late afternoon, as the sun was falling behind his building, the steel pillars rising like spikes beyond his twentieth floor, he ventured outside to see extended beneath him across the uppermost level, a latticework of small-gauge railway tracks, like those he and his father had spread across his basement on Christmas week. Hoppers filled with workers and artisans, lumber and tile, sheets of fiberboard and terrazzo, appliances and fixtures of every sort, trundled back and forth, as if here, too, a tiny village were being fabricated, although the glow coming from the open furnaces and forges scattered about lent to this miniature world something of the infernal.
Or perhaps this last vision was merely a dream, or something Henry had imagined, for the next day—weighed down with groceries, struggling to extract from his pocket the key to the temporary entrance in the parking garage—he suddenly became short of breath, and before he could set down his bags, he fell to the ground, unconscious.
iv
Although his father had died of a cerebral hemorrhage and there had been several strokes in his family, Henry had always been in good health. But walking over and through the wrecked sidewalks, the muddied streams, the boarded ramps and scaffolding, and the narrow plywood passageways was often difficult and slippery, and when the entrance to his building was blocked by excavations to reinforce its foundational underpinning and to replace an antiquated sewage system, even the simplest of errands required a long detour through the parking garage. Along with the disturbances next door, Henry attributed his constant headaches, his physical exhaustion, and his eventual collapse to these long dirty walks and to the noxious exhaust fumes that permeated the garage.
Whatever the cause, his doctors could not agree on the precise physical reason for the collapse or his debilitating weakness or the difficulty he had breathing when he regained consciousness. They were concerned, however, and when he was finally discharged from the hospital after weeks of inconclusive tests, he was ordered to remain in his bed until his breathing improved and he had regained enough strength to walk without assistance. Miss Morgan was hired to accompany him during the day, to see that his physical needs were met, his oxygen tank replenished, and that his medication was administered properly. Sometimes she sat by his bed and read to him.
Of course, by then the direct rays of the morning sun had been obscured by the progress of the rising Bucik Tower, and his bedroom lay in shadows almost the entire day. The hibiscus in the corner of the room, which he and Angela had transported from their porch in Crystal Springs and which had bloomed season-after-season whether placed inside or outside on the terrace, died.
From his bed, though, he could still see the open sky unobstructed, and even on an overcast day, the low, rippling cloud cover reminded him of the gray surface of the lake in winter, and sometimes the sun, setting from the other side of the building, cast a streak of orange or purple across the clouds, and the reflection from the new glass curtain wall of the Bucik Tower filled his room with a spectral light.
But one morning he awoke to find a thick, linear shadow stretching across his field of vision, as if someone had painted a black streak across the sky, and Henry asked Miss Morgan to step outside to see what it was.
“No need to step outside,” said Miss Morgan. “I already know what it is.”
“You do?”
“It’s one of the girders of the Bucik Center spanning the roof of your building.”
“The Bucik Center? I thought it was the Bucik Tower?”
“It was, until they purchased the air rights over your building and the lot on the other side, to the west. They’ve already hoisted the derricks up to the twentieth floor. Quite a sight to see, I must say.”
“I don’t understand.”
“That girder above is the first to support the bridge floor, extending over your roof, from the east to the west, and across the streets on either side. Both streets, in fact, will actually run through the Bucik Center. Otherwise, your building will be fully enclosed.”
“But that’s unheard of!”
“Not really. It’s been done before,” explained Miss Morgan, who had studied architecture before entering nursing school. “Grand Central Station in New York, about a hundred years ago, and then there’s the Gothic San Francesco in Rimini which, in the fifteenth century Alberti encased almost entirely inside the Tempio Malatestiano. Of course, that isn’t quite the same thing, and you are right in one respect. The scale of the Bucik Center will be unprecedented. One critic even called it the Eighth Wonder of the World, straddling our city block, he wrote, like the Colossus of Rhodes was said to have straddled the entrance to the Mandraki Harbor.”
“But that’s a fiction, isn’t it?” asked Henry, “A myth?”
“Sure, but the Bucik Brothers liked the idea anyway and have decided to incorporate the other Seven Wonders of the Ancient World into their structure. Very post-modern, don’t you think? Let’s see, the entrance will be designed after the Temple of Artemis, and there’ll be a Hanging Garden of Babylon on one of the setbacks. From a distance, the central structure will look something like the Great Pyramid of Giza, although topped with a navigational beam reminiscent of the Lighthouse of Alexandria. The towers to the east and to the west will be based on the Mausoleum of Halicarnassus, although, of course, now there’ll be two of them. I don’t know what they’re planning to do about the Olympian Statue of Zeus, though. Perhaps one of the Bucik Brothers . . . ?”
“Nobody told me anything about this!”
“You haven’t been reading your mail, then. It was all approved at a special meeting of the Board. And permission has been granted from the National Trust to run elevator banks through your building’s roof to what will be the floor above. It’ll be disruptive for a time, but it will eventually give residents here complete access to the retail concourse above, the gardens, the casino, the sky lounges, and the bird sanctuary. You’ll also be offered discounted memberships to the Bucik Center Health Club, with its gymnasia, natatoria, weight rooms, and running track. And now that the most recent investigation has been completed and construction resumed . . .”
“Investigation . . . ?”
“It was determined to be an accidental decapitation. A swinging beam. No one to blame, just like all the others.”
“The others?”
“You haven’t been reading your newspapers either, have you. There has, unfortunately, been several other fatalities on the construction site and God knows how many nasty injuries. One of the columnists even started a series on it. Something about a curse and the Confederate dead. It’s all very hush hush now.”
“No,” said Henry, remembering, “not the Confederate dead. The gypsies, the gypsies.”
“What’s that?” asked Miss Morgan, but Henry had already turned away to again concentrate on his breathing.
Before long the orange-purplish haze that had filtered into his room from the sunsets was gone, and so many girders and beams cross-hatched above him the sky vanished completely from sight even before the floor panels were laid. The lamps in his bedroom were now lit all day, and if it weren’t for the presence of Miss Morgan—or Mrs. Campbell, who now occasionally sat by his side at night—he would not even know whether the hour was A.M. or P.M. when he glanced at his clock.
Perhaps it was the noise of the construction—increasing now with the installation of the new elevator banks almost right outside his door—or the vibrations that seemed to be continuously in the walls around him or the impurities that he sensed were always in the air and seemed to have penetrated even into his oxygen tank or the absence of natural light or his inability now to swallow solid food or a simple lack of will—in any case, Henry became weaker and weaker, and could not leave his bed and, sometimes, even raise his head from his pillow without assistance. Miss Morgan, however, kept him informed of the progress on the Bucik Center.
“Extraordinary progress!” she said, “I know you’re skeptical, but the Bucik Center is really a revolutionary construct, perhaps the first of its kind, to deconstruct, rearticulate, and harmonize the obsolete hierarchical homogeneity characteristic of the vertically stratified and ideologically colonized higher structure and to replace it with a multivariate, spatially continuous built-form within a three-dimensional planning matrix that replicates the spatial articulations and morphologies of the urban landscape, complete with boulevard and galleria, piazza and agora, nucleus and radius, node and knot. In any case, that’s what the Bucik Brothers seem to be trying to do, while still, of course, optimizing net-to-gross spatial efficiencies. Did I tell you, by the way, that I’ve decided to go back to architectural school? Anyway, they’ll soon be giving ticketed tours to introduce current residents here to the public areas and the model homes. I’ll make sure a ticket’s reserved for you.”
But before the tickets were distributed, Henry had been returned to the hospital. Mrs. Campbell told him, as he was being moved from his bed, that a glorious day had been forecast, and he was hoping to catch a glimpse of the clear blue sky as he was being transported, But even though he was awake most of the time, he was taken through an interior corridor to the freight elevator, which brought him down to the parking garage and the ambulance that was awaiting him. From there he was driven into the fortress-like garage of the hospital, where he was delivered to another freight elevator, and that was all he remembered until he awoke in his bed one morning, surrounded by curtains, Miss Morgan by his side.
When she saw he was awake, she put down her book to tell him of the gala celebration that had taken place on the Esplanade to commemorate the opening of the Eastern Tower of the Bucik Center. She had gone back to his home the previous evening to water the few plants that were still alive and return several books she had borrowed from him when she noticed that a huge section of the opaque glass sheathing had been removed from the Eastern Tower, exposing an open loggia several stories tall and stretching almost the entire width of the structure. She slid open the door and walked out onto his terrace.
“It was as if a curtain had been raised on a stage,” she said, “exposing a vast, open space, right there in front of me, and extending all the way through the building. I don’t know what they’re going to use it for, but it seems now to be a permanent element of the structural design. In any case, last night it was a wonderful open ballroom, with bars and tables and an orchestra, and all of the women were in evening gowns and some of the men wore tuxedos, and you could easily see clear through to the lake, as if there were nothing in between. There seemed to be some kind of festival going on at the lakefront, too, since the sailboats were lit up like Christmas trees, and they were sailing across the lake, almost as if in a procession, their colored lights reflecting against the water, which suddenly was all lit up by a burst of fireworks, and when the fireworks were done, the orchestra on the Esplanade began to play, and they began to dance, and some of the dancers saw me standing there up on your terrace, and they raised their glasses to me, and toasted me, and beckoned me to come over. Of course, I wasn’t dressed for the occasion, and I’m not a resident, either. But you are, and perhaps when you’re better, they’ll hold another gala, or a first-year anniversary, and you’ll be invited, too.”
Henry could almost see the dancers in their evening gowns and tuxedos, and the lake sparkling behind them and the sailboats, but before he could raise his head to get a better look, he fell back into the coma from which he never awoke.
J. Weintraub has for the last thirty year published fiction, essays, poetry, and translations in all sorts of literary reviews and periodicals, from The Massachusetts Review to Modern Philology and from Gastronomica to Bluestem. Many of his pieces have been anthologized, and he is a recipient of Illinois Arts Council Awards for fiction and creative nonfiction. He’s been an Around-the-Coyote poet, a StoneSong poet, and has had one-act plays produced by the Theatre-Studio in New York City, the Summer Place Theatre in Naperville, Illinois, and Theatre One in Middleboro, Massachusetts. He is currently a network playwright at Chicago Dramatists. For further writings, his website is here: http://jweintraub.weebly.com.
The Interloper
Her sensuality had nothing to do with her looks, which were unremarkable. She had a long torso and narrow waist, small breasts, straggly blonde hair. I suppose there was an earthiness about her stocky legs, as if she were planted in the ground. You wouldn’t call her attractive, or at least not strikingly attractive. She was young, only 22. Her blue eyes were guileless, but she was full of guile.
She arrived in our lives during the summer of our fourth year of marriage. Colin was having trouble with his book, and I was tired of his black moods and constant hunger for reassurance. My painting was going badly, and I thought it was because of his neediness.
“You’re Colin and Darya O’Donagh?” she exclaimed, her eyes wide. We were at a party in a loft in Soho. The room was crowded and hot. She emerged out of a loud crush of people, offering her youth and adulation like gifts.
“I don’t know how you do it. Both so creative and so well known. How do you manage two careers like yours in one marriage?”
I didn’t say anything. I don’t think Colin answered her question either. There was no answer. Both of us wanted a wife to cater to our needs, instead of the demanding partner we had. She chattered on, undeterred. She wanted to know what Colin was working on and he bloomed under her attention. Laughed, postured, preened, pretended modesty.
“Well, I’m not sure yet if it’s a novella or a novel. Or maybe something else.” He held his hands up in mock confusion. He’d said the same thing about the last book. Next he was going to say that he didn’t believe in labels.
“I don’t believe in labels.” He paused and ran his hands through his mane of sandy-colored hair, shook his head like he was shaking off expectations and paused, as if he needed time to consider his words.
“They can be so stultifying. The writer needs absolute freedom if he’s going to create. That is, if he’s going to create something that lasts.”
“I agree completely.” The girl nodded. “Don’t you?” she said to me, still nodding, and I smiled politely. I didn’t really. When I paint, I call a painting a painting.
“My agent says it’s ground-breaking,” Colin said. “I don’t know if my readers are ready for it.” He’d said that about the last novel too.
“What’s it about?” The girl pushed her hair back. Her face was flushed, with a faint sheen of sweat. She leaned toward Colin to catch his words.
“I don’t want to give too much away.”
“Oh!” She laughed. “I can’t wait to read it!”
It was twenty minutes before Colin thought to ask her name. She set her wine glass on a table, took our hands in hers, and clasped them tightly.
“Evvie. Evvie Cartwright. I just moved here from Lincoln, Nebraska. I am so happy to meet you both.”
“Are you an actress, Evvie?” Colin asked. “You look like an actress.”
“Why thank you,” she said. “I’m flattered. But I’m a writer, sort of. At least I’m hoping to be. I haven’t published anything yet, but I’ve heard that New York is the place to start. I just hope I can find a job to support my art.”
“I’ve been looking for an assistant,” Colin said, avoiding my gaze. If he’d been looking for an assistant, he hadn’t told me. “How’s your typing?”
“Wow. That would be such an honor.” She looked at me, and for a brief moment her eyes were calculating.
“I hope you don’t have anything against pets, Evvie.” I gave her a cool smile. I wondered what kind of assistant she’d be, with her nonstop chatter, but she seemed to buoy Colin’s spirits. I was relieved, really. “Dogs, birds, fish. We have everything but a cat.”
“I love animals,” Evvie said.
“Well, welcome to our ménage, then.”
* * *
The commute to our house in Connecticut is a good forty-five minutes from Grand Central Station, and it turned out that Evvie was sleeping on a friend’s couch in Park Slope while she looked for an apartment in Manhattan, making it even more of a trek. A couple of nights, when Colin worked through dinner, she stayed over. Three weeks later she moved in with us, stepping off the train with a bulging plaid suitcase and a student’s backpack.
“Are you sure this is okay?”
“Of course,” Colin said. “We’ve got plenty of space.”
“We’ve got bedrooms to spare,” I said. “We don’t use half of them.”
I wasn’t sure how I felt about Evvie moving in. I liked privacy and solitude for my work. Both of us did. Colin and I hardly ever invited anyone to the house, preferring to meet friends in the city. But our house was old and rambling with lots of room. I worked in a renovated barn-studio out back and I was looking forward to spending all of my time out there. Evvie would keep Colin occupied.
The novel was going well. Colin paced back and forth in the living room each morning, talking out loud to Evvie, recording it all on tape. She typed it all up each afternoon in his study, while he slouched on the sofa with a scotch, rereading the transcript from the day before. “I just think this is so wonderful,” Evvie exclaimed over and over as she typed. “I can’t wait to see what happens next!”
She made herself unobtrusive, retiring to her room on the third floor in the evenings. Sometimes I could hear the drone of the TV upstairs, or her excited laughter as she talked on the phone. I was aware of life in the house, but she was never underfoot. She was a help with dinner, which had always been catch-as-catch-can with us. “You’re busy, Darya. I can just dash out to the grocery store if you want.” “Let me cook tonight. Just something simple.” “I know you’re both tired. Let me wash up, Colin.”
Sometimes she lingered in the kitchen after dinner, coaxing the parakeets to learn how to talk. “By golly, it’s a masterpiece!” she repeated, feeding them sunflower seeds when they jabbered and trilled. “Terrific!” she repeated, sounding out each syllable.
We took her with us when we went out. It was startling when a waitress at the Forest Diner mistook Evvie for our daughter. I had just turned 38 that fall, and Colin was 46. We were both on our second marriages, and had both agreed that children would get in the way of our art. Colin was old enough for a 22-year-old daughter—I certainly wasn’t. It was something like having a child, though, without the trouble of rearing one. Evvie was devoted to Colin. If she’d been more attractive, I might have felt threatened, but I didn’t. She was almost a daughter, in those early months.
* * *
I was absorbed in a series of self-portraits, working in front of a full-length mirror as I painted on 5′ x 5′ canvases. I used photographs of myself at different ages, adjusting the painted versions so that the poses were identical. Bare shoulders and face, my stare enigmatic, my long black hair down in some, coiled in braids on top of my head or pulled back in others. In my portrait at age 29, the year of my divorce, slashes of mauve, lavender, and maroon created an effect of violent melancholy. At 33, my face glowed, warm yellow and ocher with touches of silver. I wasn’t sure how to end the sequence. I was feeling restless and unsettled, unready to inhabit an emotion on the canvas.
Evvie asked to see my work, and while I don’t usually show works-in-progress, it seemed inhospitable not to. She lingered shyly in the doorway, taking in the high ceiling and skylights, the acrid smell of turpentine, the canvases leaning on the wall in the corners, the sequence of paintings on easels.
“They’re so beautiful,” she breathed. “You’re so beautiful.”
“They’re not representational,” I said. “They’re not meant to be realistic.”
“I know, I know. The colors are so expressive. It’s like that Matisse portrait of his wife with the green line down the center. There’s a different feeling in each of them.”
I was pleased by Evvie’s perceptiveness.
“I don’t suppose you’d ever paint me, would you? I’d model for free. I don’t mind taking off my clothes.”
“I don’t usually work from models,” I said.
But that night in bed I started thinking about it. Evvie naked in the late afternoon light in the barn, reclining like Matisse’s six-toed nude. Maybe I could do some sketches, if Colin could spare her. Or oil pastels, her pale skin, cornsilk hair, glowing against a dark background. I wondered whether her pubic hair was blonde too. My own is thick and black and curly. Men have always found it sexy. But I felt erotically stirred at the thought of her pale blonde bush, what she might look like with her legs spread, her pink sex exposed.
* * *
The first time she posed for me it was below freezing outside. I kept feeding the pellet stove and asking if she was comfortable. The temperature in the studio tended to be uneven. It wasn’t well insulated, and heat rose to the high ceiling. I stoked the fire higher than usual and stripped down to a sleeveless t-shirt in the heat.
“Warm enough, Evvie?”
“I’m fine, Darya. I love being naked. I’ve always thought I’d love a nudist camp.”
She looked comfortable, sprawled on a chaise I’d dragged into the middle of the room, her back arched slightly so that her small breasts jutted out, nipples pink. Her head leaned back on the headrest with her eyes closed. She’d assumed the pose herself, and looked, I thought, like she might after sex.
She opened her blue eyes and stared at me as if she knew what I was thinking. “How’s this?”
“Great, Evvie. You’re a natural. Let me start with some sketches of this pose and maybe we’ll try some others.”
I sketched feverishly with charcoal, smoothing the lines of her body, the outlines of her breasts, the triangle between her legs, with my fingers, which became black and sooty. I tore off each page and tossed it on the floor as I started a new drawing.
After an hour I stopped. “Do you want a break?”
“Okay.” She stood and stretched languorously, arms raised, running her hands down her sides as she walked over to the easel where I stood.
“Wow. Is that what I look like?”
We were both sweating slightly. I was aware of the faint musk of our bodies, her nearness.
“Do you want to knock off?” I edged away from her.
“Not yet. I’m ready for more, if you are.”
Colin was in New York for the day, seeing his publisher and friends. I wasn’t sure I’d get another chance, so I kept at it. Four more poses. Evvie reclining on her side, leaning on an elbow. Evvie on her stomach, head down on crossed arms. Evvie sitting up, knees primly together. Evvie leaning back on her hands, legs parted.
She was silent as I worked. Her pubic hair was as pale as I’d pictured it. I was aware of the moisture between my thighs as I sketched her in her last pose, the tautness of my nipples. I thought I was imagining how Evvie would look to a male lover. I’d never been bisexual, never done any experimenting with girls in art school the way some of my friends had. But I was more aroused than I’d been for months with Colin.
It was almost a relief when I heard his SUV in the driveway.
“I guess you’d better get dressed,” I said to Evvie, even though I knew he wouldn’t come to the studio.
“I hope we can do this again,” she said. I was sure she couldn’t have detected my shortened breath, but as she pulled on her jeans, her glance over her shoulder was knowing.
* * *
When Colin told me that he and Evvie were in love, I felt as if I’d known it all along.
“She feels just terrible,” he said. We were in the kitchen alone. Evvie was out walking the dogs. Colin’s hands were wrapped around a mug of coffee and they were shaking. He didn’t make eye contact with me.
“She doesn’t want it to affect my relationship with you.”
I snorted in disbelief. Evvie, that washed-out wisp of a thing, talking about our relationship? What did she know about Colin’s previous affairs, or mine? “What the fuck is that supposed to mean?”
“I mean we’re still married. I still love you. This thing with Evvie just happened. It doesn’t have to change what we have.” He set the cup down and turned imploring eyes to me. The damn parakeets were chattering, pecking at seeds on the bottom of the cage.
“I’m so sick of those fucking birds.”
“Nothing needs to change,” Colin repeated.
“This doesn’t seem like a change to you?”
“Well yeah, it’s a change. But she’s young. We don’t know if this is going to last. She doesn’t know. She says we can all live here, same as we have been.”
“That little bitch. Is she moving into the master bedroom with you?”
“Of course not. Darya, it’s just a thing. A thing that’s happened. We can all just go on.”
“Maybe you shouldn’t have told me then.” Would I have even noticed? I’d been working long hours in the studio, with new spotlights from the hardware store rigged up at night. The last portrait was emerging but I wasn’t sure how to define the mood. Lurid chartreuse, greens so dark they were almost black.
The front door opened, letting in a stream of cold air before the storm door banged shut. “Atta boy,” Evvie said to one of the dogs, laughing as they bounded into the kitchen.
When she walked into the room, I threw my coffee cup against the wall, turned around, and walked out. I strode across the back yard to the studio without my coat. They both were asleep when I slipped into the house late that night. Colin in our room. Evvie in hers.
* * *
Our sex life had waned even before Evvie came on the scene, so it wasn’t much of a change. Colin and I were no longer intimate, but we slept in the same bed. I don’t know when he and Evvie were fucking, probably during my days in the studio. I never caught them when I came back to the house for lunch or errands. He was working on his novel, the first draft near completion. I’d stopped work on my last self-portrait and was doing dreary winter landscapes. White snow shading into gray skies.
I ate my meals in the studio, or out, and barely spoke to Colin and Evvie beyond clipped pleasantries. Evvie was tense and white-faced, Colin sheepish.
She came to me one night, breaking our rule that no one knocked on the studio door when I was working there. Her face was puffy with tears.
“I know you probably can’t forgive me. It was never my idea. I told him not to tell you. I mean, I respect you so much.”
“Evvie, I don’t want to hear this. Keep the histrionics for Colin. He probably appreciates them.”
“My happiest day here was the day I posed for you. I was really happy. I think you were too. I could pose for you again. You said you wanted to do a painting.”
“Come back tomorrow. Just leave me alone now.” I don’t know what I wanted.
The painting I started the next day was harsh and vulgar. I posed her straddling a wooden chair back, her legs wide, like a Parisian putain. She looked pathetic against the red background, her expression furtive and forlorn.
Every afternoon she came back. I don’t know what she told Colin, who never mentioned it to me. We didn’t talk about Evvie at all. The afternoon light grew brighter, the studio warmer. Buds appeared on the forsythia bush outside the studio door, and I gathered pussy willows for a vase on the table. On the first really warm day of spring, I suggested that we do some sketching outside.
We walked through the sun-dappled woods until we reached a large tree with two trunks. I had her recline in the V between the trunks and unbutton her shirt. She wasn’t wearing a bra. Her breasts were very white against the plaid flannel and mossy bark. When I went over to adjust the pose, she took my hand and pressed it to her breast, pulling my head down for a kiss. Her open mouth was moist and warm. I breathed in the scent of her, put my hands inside her shirt.
“This is what I’ve wanted all along,” she said. “Tell me you wanted it too.”
She unzipped and unbuttoned with experienced fingers, sucking on my breasts, sliding down to pull off my jeans.
All spring I painted pictures of Evvie. Sly, seductive, triumphant in her sexual ascendancy. My erotic fixation was like a fever coursing through my blood. I punished her for her power, biting her so Colin would see the marks of our passion, binding her wrists with silk scarves, twisting her body. I humiliated her, forced her to pleasure me, sucked her dry. I couldn’t get enough of her.
* * *
It was summer when she left. Colin was at the Volvo dealer’s getting an oil change, I was at the vet’s with the dogs, and we both pulled up in the driveway at the same time. I could tell the house was empty the minute we opened the door. I didn’t know why at first. It just felt different. Quiet. Still. The birds were gone. Her clothes and suitcase were gone. The bed in her room was made neatly, the white coverlet smooth. There was no note.
At first I was furious at her betrayal. Colin wanted to look for her, but had no idea how to find her. He was sure she’d grown up in a trailer park outside Cleveland with a drunken father who’d abused her. Her mother had abandoned them when Evvie was five. I thought she was from a middle-class suburb in Indiana. Or was it South Dakota? “Dullsville,” she said to me once with a laugh. “Profoundly normal.” Either way, she was more likely to be in the city than back home.
“What if she ends up on the streets?” Colin asked, his face drawn and haggard. “She has nowhere to go.”
“There’s that friend somewhere in Park Slope,” I said. Colin worried too much about her. She’d saved the salary we paid her. She was the type that landed on her feet. I imagined her insinuating herself into another couple’s life, seducing them with her false innocence.
After a while we didn’t talk about her. I finished the self-portrait sequence. The Manhattan gallery show was a success. I exhibited all but the very last canvas, which hangs high on the wall in my studio.
It’s different than the others. Maybe not even a self-portrait, but something else. It shows my full body, and not just my shoulders and head. I’m posed like an ancient fertility deity, squatting with my knees wide apart, my lower legs firmly planted in the earth. My breasts are large and pendulous. My long black hair streams about me, tangled in lush green vines and spring vegetation. At the bottom center, overshadowed by the dark monstrous figure of the woman, a pallid blonde figure is either emerging in a breech birth, or returning to the birth canal, or performing cunnilingus. You can only see the back of her head. The deity’s expression is impassive. She stares out at the viewer, and seems unaware of the girl.
I haven’t shown that canvas, or the drawings and paintings of Evvie. Colin hasn’t finished revisions of his novel. He writes less and less, but has become handier around the house, making dinner, walking the dogs, building a deck, puttering. He’s approaching fifty, slowing down, and our age difference is showing. I have never felt more vital.
“She worshipped you,” Colin said one day. “She wanted to be just like you.”
“She was a predatory little bitch. A monster, an interloper.”
“She was a sad young girl who wanted to be loved.”
I think he was duped. I think both of us were duped. But if Colin is right about her and I am wrong, then what am I? I only know that I’ve tapped into reserves of power, cruelty if you will, that I didn’t know I had. My studio vibrates with dark energy. My paintings have become larger than life. I feel like I could swallow the world.
Jacqueline Doyle lives in the San Francisco Bay Area, where she teaches at California State University, East Bay. Her work has recently appeared in South Dakota Review, New Plains Review, and Ninth Letter online, winner of their meta-essay contest. She has fiction and creative nonfiction forthcoming in Confrontation, South Loop Review, Southern Humanities Review, and Southern Indiana Review. This is her second publication in Bluestem Quarterly. Visit her here: www.facebook.com/authorjacquelinedoyle.
Virgil
“Take a deep breath, Crying Jag,” Virgil said to the beast under him. Crying Jag, a gypsied mix-breed with two glass eyes that put a look of insanity in her, filled her ribcage with enough territorial air to make the girth strap creak at the cinch rings.
“Well, ain’t that a wonderment!” Virgil remarked. Crying Jag blew.
The two, man and horse, had spent most of the morning hugging the east bank of a mighty river, upstream and down, scouting a suitable place to cross. By midmorning, Virgil had begun to worry about the fresh boots on his feet, a fatalism that had grown to include his very spark-a-life by noon. The river current was thick and clouded to the color of gravy with mud from the last rain and seemingly unwilling to narrow for rider and ridden anywhere along its length for miles. It had the demeanor of big uncaring animal, that river did.
At the most possible of impossible locations, Virgil held his stolen six-shooter above his head and gave Crying Jag the spurs. The beast balked, once, twice and then (with spurs dimplin’ deep her heaving sides) leapt as if attempting to clear the watercourse as she would a tree trunk felled across their path.
***
Piano trundles. Fiddle bow pokes holes in the smog cloud of fired cheroots and corncobs gathering at the tent’s highest points, which are none too high. Wind desperately trying to lift the canvas skirts of the place, succeeding only in sucking the driftwood sign off the agitating façade and into the foothills on a crest bedeviled by coyote sounds.
“…and whoever thought to bring a pianer to this godforsaken place didn’t account for the roads beating the instrument completely outta tune…”
“Amen to that. And tell me, what is the damn point of music if there ain’t no wimmen to dance with? I thought you said there’d be here snatch abundant!”
“Just deal them cards.”
“You boys hear about that feller Charly Darwin stirring up of the folks back east?”
“Nup. He a criminal?”
“Oh, as far as some reckon, he is.” The stranger leans in. His tongue squirts out of his mouth into a nostril. Virgil and MacDougal attribute this habit to a real weak upper lip. “ Others think him the Anti-Christ himself. He’s buffaloed all a England and thereabouts. Or, that’s what my brother, a sailing merchant, says.”
“How’d he do that?”
“With a book.”
“With a damn book!?”
“With a goddam book, yessir.”
***
Virgil surfaced from a dream in which he stood with a lantern on the bank of an underground river. On the opposite bank, a teeming population of grey hominids, restless with want and seemingly afraid of the black waters between, their coin-eyes catching in the lantern light. The countenance it created: the fiercest ignorance or a knowing so great it blanched the mind. Virgil wailed in response to the pain in his left walking limb, a mangled thing still caught in the stirrup. Crying Jag’s saddle had slipped onto its haunches – which the beast was tolerating admirably. Virgil then passed back into unconsciousness and his blue-eyed steed dragged him further away from the river favoring her right front hoof.
***
“Could you chew that last bit finer fer me, mister?”
“You’ll hafta excuse Virgil. He’s got a puny thinker.”
“Better a puny thinker than a puny pecker, MacDougal!”
MacDougal laughs at this, partin’ the fat red beard on his fat red face for a horseshoe of teeth, teeth a scratch feed yellow and just too tiny for a man MacDougal’s size. Virgil had asked him once, asked him: “Them your baby teeth, MacDougal?” “What the fuck are you talking about, Virgil?” MacDougal’d said and Virgil’d decided to drop it. The stranger closes his fan of cards, gives his nostril a quick tonguing and speaks. The two lingual veins on the underside of his tongue are dreadful pronounced and the color of blue flame.
“Boys, boys. Its boggy crossin, this stuff of old Darwin. Boggy crossin. I can only tell you what my brother told me. It put me sideways, too, indeed it did. It slices like such. All a God’s little girly critters try to make rut with the best boy critter – them strongest of the strong, them handsome types…”
“Yer not tellin’ us anything new, my friend.”
“Ain’t nothing new to tell, boys. Thissus been going on since Day One. What Darwin figgered out is. Darwin figgered that the strong handsome parts would be passed on down to the little ones and those little one’s would make rut just the same until the herd changed.”
“Changed? Changed how?”
“Well, we all, mankind God bless, used to be apes and monkeys.”
“Horse shit. God made man and made wimmen out a man’s rib.”
“Indeed, I said the same thing to my brother, but now I told ye, ye’ll not be able to think otherwise, I guarantee it. Its called natchural selectation.”
“That’s a sin. MacDougal, we’ve been infected with a thinkin’ sin.”
***
“Given my present circumstances, Lord, I believe it only to proper to oncet again address you as I did in the days of my childhood. In my weakened state, I can’t seem to free foot from stirrup, no-how. My trotter’s busted and swollen, boot ripping at its seams and there’s hammering pulse from toe to hipbone. Both gun and hat carried off. Low is my morale, Lord, having been trawled through my own horse’s shit and piss for a I don’t know how many a day. I’ve eaten nothing but dirt and treebark like a goddamn woodland creature. It ain’t enough to sustain a man… It ain’t enough…”
***
“Virgil, I think you better rethink that wager.”
“I’ll wager whats I wants to wager, MacDougal.”
“Whatchoo gonna ride if you lose that pony, huh?”
“Maybe I’ll ride ye sister, MacDougal. Now, she’s a specimen of natural selectation, I’m certain of it.”
“Hobble yer lip, Virgil. I’ll not say it again”
“That beak of hers! I bet she gets them hardest nuts, I bet indeed!”
“My sister is a goodly God-fearing woman if there ever was one. I won’t stand fer it!”
Virgil heeds this warning, but not t’other and wagers his horse…
The cards are laid on the table, neat paper sighs of fate. Virgil grins over his three pair and a dry ace. The stranger slaps the table with a full-boat, three queens and a pair a deuces and draws the kitty towards his belly including the stub of cheroot meant to stand-in for Crying Jag, his tongue slipping in an out of his nostrils, his weak upper lip shiny with saliva in the lantern light.
“Oh my weepin’ pisser!” Virgil was hot in the face and knuckles.
***
Virgil surfaced from a dream to see the sun through his eyelashes.
Virgil surfaced from a dream to see a pair of molting apes gaze at him from their perch in an aspen.
Virgil surfaced from a dream of night to a dream of night where the gibbous moon bobbed and multiplied.
Virgil surfaced from a dream to a voice he did not recognize as his own. A goose down four-poster floated above him and a scarlet-cheeked woman struggled against the bed sheet. A spreading blossom of blood soaked the fabric in a fanning delta from between her thrashing legs.
Virgil surfaced from a dream to see Crying Jag’s tail lift, her anus puckering then expanding to accommodate a chartreuse turd. It broke apart in his hands, oozed between his digits, as he was carried past and Virgil hisself cried.
“I’ve learned to love, Lord, lying here. Hither fucking thither I’ve been dragged, dropping all the crumbs of hate, enmity and odium behind me so that the birds in your service might feed and the trail back to my sinful ways would vanish. Watch over us, Lord. Crying Jag keeps wicking her ears with intent, halting and peering around as if we’re being followed…”
***
“Virgil, come back!”
Virgil flees into the sucking wilderness with MacDougal following in his waddling fashion.
“Ye’ll end up with yer neck broke in a dry crik bed!”
Porcupinous conifer boughs sting his face, one hand mashing his hat to his head, the other held against his mouth to plug the sobbing pukes. Virgil, Virgil, Virgil you’re as drunk as biled ape. Is that all we is, Lord? Pink apes riding horses under a godless sky?
He picks up a deer path and runs, boot soles slipping on the spongy bed of pine needles. He runs until a root trips him up and he crashes into a copse of scrub oak. Darkness into darkness, just another fleshly body passing into unconsciousness held afloat above dried oak leaves and the reeking effluvia of a voided stomach by the straining and hardy little trees.
***
“Lord, what lesson is there in dying? Whatever’s been following us spooked Crying Jag. She took us over fallen log. I fear that I’ve lost an ear, Lord. The bit of shirt I had left I’ve wrapped around my head to stopper the blood. I cursed You and Your Son and Crying Jag’s mother and my mother… I’ve begun to keep an eye for the right size stone to bash my brains out with.”
***
At dawn the stranger exits the bunkhouse, waters the scrub oak with a farting piss and finds his new horse on the picket line, knowing her by her queer eyes. Leading his mule a tether of braided hemp, they ride out. Behind them Virgil combobulates out of the sticks, chewing the corners of his mustaches. Virgil’s face is wind-beaten, his eyes a pair of radishes, his gait is sidelong and shambling and whisky-poisoned. He’d awoke next to MacDougal, to MacDougal’s snore. With pert-near feminine delicacy Virgil’d relieved the fat man of his Colt Paterson and stole off.
“Way I reckon it,” he says to the man diminuating over a rising on the trail, heaving out of sight. Crying Jag trotting gaily under the stranger, as if she’d had no previous owner, breaking Virgil’s heart. “If there ain’t a God, there kin be no Satan and shorly no Hell. And nobody ever judged a monkey for killing another monkey. I’ll have my horse back, I thankee.”
***
“Maybe twas you Lord who set me on this damn course and not the Devil! Maybe you knit a killer in the womb. Maybe the world you created couldn’t make room for me, Virgil! Is that you laughin, Lord? Who created whiskey and games of chance? Who set man against man? You! You! You!. Is that you laughin? I hear laughin?”
***
He has not killed the man, Darwin’s man, the stranger – he’s just winged him. Virgil walks to where the man fell out of the saddle, head passing through a fine blood mist. Crying Jag had spooked and run off somewhere. The man is not far from where he fell. He has his back up against a tree trunk. He can’t speak. He’s got the fingers of one hand stuffed in his bloody throat. The other, just as bloody, he holds out to Virgil.
“Well, goddammit,” says Virgil.
The man makes a weak beckoning gesture.
“Nup,” Virgil says, squatting to unlace the man’s boots. A pulse of blood runs over the man’s hand at his neck. A wet swallowing noise issues from him like links of sausage being dropped in a sack of other sausages. Virgil makes quick work of pulling off the man’s boots.
“My daddy was neither strong nor handsome. He was a mudsill, he was. He could find none to tie to but a blind catalog woman. She also had a withered hand, too. He shat his pants ‘bout once a week and liked to sneak up on his blind wife and put a wet finger in her ear, but that man couldn’t sneak up on anybody the way he smelled. Even if he was down wind you could smell my daddy, yessir. You know what they called him in town? They called him a… They called him… I can’t even bear to repeat it. Yes, we did have a few sheep. Ol’ Amos claimed he saw him – my daddy – doing an act of darkness with one of his big Dorset ewes. But Ol’ Amos was a coffee boiler and a falsifier and e’erybody knows that, but this tale stuck. I reckoned this then and reckon this now: e’erybody was jus’ looking for something, anything to vex my daddy with. Cuz, cuz. Cuz well see, it’s like this: I close my eyes an I see him proceeding in that act of darkness an, an. An’ I thought this before and after Ol’ Amos started mouthin it around. But going around denying and gittin’ my ass kicked for denyin’ somethin’ that you reckon is shorely true, well, it starts to make you think things an’ well it got to gittin so bad, I stole off one night –“
The stranger makes that selfsame swallowing noise, increasing the pulse of blood escaping between the fingers he has plugged in his wound.
“- I stole off. Been a thief, been a womanizer, been a betrayer, an absconder, been a coward, been a cheater. Now, tell me something, stranger, strange-talking man. Ain’t I breathing proof that that Darwin feller of yers is wrong? My daddy was who he was. Tell me, if it ain’t fer the grace of God would I be taking breath right now, right here, while yer expiring? Darwin’d have this the t’other way around ‘r somebody stronger n handsomer than yourself ‘r myself standing on our necks? I mean, they had me and I’m no better than them. I’ll tell you what you tangler of brains, I’ll tell you I don’t see no tomorrow where them best critters have rutted new better critters. I’ll tell you what, I’ll tell you I see a tomorrow full a men with their hearts full of the stuff my heart’s full of. I see a future where God’s good Bible can’t beat back the flames.”
The man’s eyes move from Virgil’s eyes to just above Virgil’s right shoulder.
“What do you see? Has the devil come to take you?” Virgil asks.
The stranger shakes his head.
“A wing-ed angel, then?”
The stranger, again, shakes his head.
“What then, damn you!?”
The man’s face constricts and his hand falls away from his neck. His eyelids flutter and Virgil makes the face he makes when he’s been interrupted.
***
Crying Jag brought them to a clearing and proceeded to crop the sparse grass. Virgil had calmed down, issuing no more unheeded directives at the horse but turned his attention to freeing a stone that lay half-buried nearby. He talked to the Lord while his wormy fingers sought purchase to pull it from its place in the earth.
“You see Lord, a man digging in the dirt. An act of bravery at the end of a coward’s life. I believe you placed this rock here to serve as the instrument of my death. Will bravery be weighed against my sins on the gilded scale at the gates of heaven? I must do this, Lord, before I lose the strength to heft it and suffer the misery of an infective fever.”
With a pitiful noise issuing from him, the killer pried the stone from its spot, fingertips white around the bloody nails.
“Let no man say I wasn’t good to my mother,” he said holding the stone stiff-armed above his head as though he were examining the maggots clinging to the wet fiber and dirt crumbs. The stone, nearly the size of a fresh salt block, covered the sun. Virgil regretted having to take his life in the shadows without the warmth of God’s sun on his face, but he hoped too that this sacrifice would be noted when the fate of his soul was being decided.
He let the stone fall. There was commotion in the trees to his left – a pinto stallion broke through into the clearing. Virgil’s horse bolted a pace or two, pulling him, quick as witch-dick, out from under that fateful dropping stone. The stallion’s nostrils were dilating and he, whole-horse, seemed to vibrate. Where he’d shed is winter coat, veins stood out against wild muscle. Crying Jag presented herself. Virgil shrieked. The stud lunged on his hind legs and stove Crying Jag – a pfft! of warm mammalian air escaping around the diameter of his piebald cock. Virgil grabbed a sapling pine by the trunk and held on. He was lifted bodily off the ground and stretched his full length. He heard the tree of his saddle snap under the weight of the thrusting animal. Rays of sunlight shot through the locked beasts, firing mane and tail and hide with a limning of gold and red.
***
Virgil finds his pony stepping on its reins by a small creek, He coos his special coo, drawing up those reins and mounting. He picks a few brambles out of Crying Jag’s mane and directs them up a ridge. The morning is cold in a way that makes the trees seem made of heavier material than wood and there is nothing in the crisp early spring air to dampen the cries of the scrub jay and the kestral and the black-billed magpie. Everything stings Virgil. Each sound, a talon into the dumplings of brain in his skull. A thin trail leads them to the river’s edge. Each weight-shifting step of Crying Jag’s jostles and jolts those aching dried-out dumplings something fierce. Virgil can smell hisself. He breathes through his mouth in an audible way. They descend toward the river, the power of its humidity and din meeting them before a soul could even eyeball it. Crying Jag slips nearly on her rump to the bank, the water there undulating dully under an amassing of driftwood.
“Steady! Damn you!” Virgil yips at her, sawing at her bit, pulling the reins to his chin and cursing his pony.
***
She kicked herself out of the broken saddle, leaving Virgil lying there, still with a tremulous grasp on the half-uprooted sapling. Crying Jag and the stud ran off, crashing into the brush together, spraying the sputtering cowboy with the effluvia of their union. A throb of pain hit Virgil like a locomotive, making his eyes cross. He let go of the sapling one hand at a time, very much a man afraid of being drug further into the wilderness by his mangled leg. Curling on his side, his hands clasp his ankle. His mouth, a hole of saliva strings. He lay like that as the mountains rose up to obliterate the sun.
***
He’s under the churning silt of the river, under a churning horse. He’s taken in water through the mouth, the nose and the ears. There is a sound of air escaping. The beast is thrashing. The hair of her tail slides across his eyes. A hoof with a horseshoe passes in front of Virgil’s face, air bubbles the size of fish eyes trailing from the mud and shit caught in the underhoof. From the depths, another hoof and horseshoe rises, boiling with bubbles. Virgil sees it – he could drop into a nail hole the farrier forgot to nail while affixing hoof to hammered steel. There is an engulfing of sight and in the darkness bursts of color like Virgil’s never seen color, not even when Calico Al struck him for groping his girl, that girl of Calico’s. Virgil had never given much thought to the bones below his flesh, but something caved in like a hide-wrapped clay pot with an inner-crunch and he dropped fully into the blackness of the nail hole rising up to swallow him, whole and totally.
***
On his belly, Virgil was reduced to worming his way toward the crackle of a cook fire, its light a holy spangle through the chaparral of pecker poles and sagebrsuh. Virgil was making little inarticulations to hisself, yanking his miserable soul along. Ripping at tufts of shot-grass. There was fanning of small rodents whispering away from him. The earth below his belly was hard and the coins and blades of firelight through the underbrush chimed each their own individual chime of angel talk Virgil was quite tired of hearing and yearning to hear louder for.
He paused just at the edge of the cook fire’s corona, some terrible shame gripping him. The shadows of the outriders were thrown up into the pale-sided shelter of canopy leaves. He listened to them talk and sop up beans with bread. He liked listening to them, their low tones, their weary laughter.
“Hey boys, lemme ask you sumthin” a voice over other voices.
“Ask it, then.”
“How do you circumnumacise a Oklahoman?”
“How?”
“Kick his sister in the jaw!”
Virgil passed on while the circle of waddies laughed some. He was found in the early morning by one of them searching for place to piddle. The dead man had his chin on two fists, eyes fixed on the pit of ash that’d long stopped smoking. They buried him quickly in a shallow grave dug with hands, knives and a wrought-iron skillet and so shallow was his grave, that soon enough the coyotes had scraped a hole to him, feasting as though the earth sometimes offered up hidden pools of flesh and blood and to the coyotes it was simple.
Ross William Nervig lives and writes in Minneapolis, Minnesota. Nervig is one of the founding editors of Revolver – a literary/cultural publication based in the Twin Cities.
Dreaming the Death
Father dies as I descend
the last set of stairs.
Antique, black scissors plunge through
his heart. I saw the blood,
the darkness of impossible
roses seep the blinding white
of his serious shirt. A pale buttoned,
unbuttoned everyday for thirty years.
His cotton army hangs
in the closet, white after white.
Father, you know
I’m left here
with a report, a file in my
hand. Feel the smooth
dead of the fiber.
A tree has fallen.
There is work to do before
they return. I cover you,
the mess of roses
spreads to the chair.
The sun is setting behind your
death. Tomorrow
they will replace the chair.
Sarah Lilius currently lives in Arlington, VA. Lilius graduated from Augustana College in Rock Island, IL. Some of her publication credits include Denver Quarterly, Heartlands, Court Green, Marlboro Review, BlazeVOX, and Pulse Literary Journal. She also co-authored the chapbook Here, Hunger (NeoPepper Press) with fellow poet Erin M. Bertram.
Patterns
Say there are little answers
in the way leaves form
at the bottom of a cup
like an age old family saying
about the cool of blue porcelain
dating back a hundred years
to my grandmother’s poise
Imagine that she stands over you
telling you they are the shapes you have become
David Lee was born in Loma Linda, California, but was raised in Baton Rouge, Louisiana. Lee studied at Louisiana State University where he recently received his Bachelor of Arts in Literature. His future plan is to continue pursuing poetry in a graduate setting.
Flatsy Dolls are Made of Soft Vinyl
with wires
tunneling through the skin
bent in more degrees
than possible
with bones
posing on a shelf
in her picnic outfit
my flatsy covers another
flat hand
with her own
each flatsy comes in a frame
with a flat bed
or a flat wagon
my flatsy backstrokes
down the dresser
i fold and unfold her
while she waltzes
with my thumb
i draw a small pair
of eggs
for her in the morning
Matthew Sharos is a Poetry MFA candidate at Columbia College Chicago where he teaches first-year writing. His work is forthcoming in Columbia Poetry Review and Eratio.
Here Is Where
Here is where you died.
I could be pointing
at my center. But I mean
family porch. The smallest fractures splitting
cement.
Two pillars stand
guard over Mother’s cat decorations
and blooms
of flowers–aloe vera ready to split
open, liquid salve. Children’s toys, scooters, bikes and
such, some worn to metal bone from years
of play.
Here is where
I choked on hope. Here is where
your childhood
friend comes to talk
to you and drink
beer. He sips
from can, says
he knows it’s you
he’s speaking to
because sometimes
you give shitty advice.
Here is where we hurt,
where I wish our blood
stain that marked us good
and quick could be seen by
all. Where blood-hurt snips
at spine. All the bits
of crumble we cling to,
scooping
up for one last taste of life
before bullet.
Here is where
I would point
to your body and tell you
what I know now:
Mourning is such a rough
wave–a seasonal
monsoon–always returning,
bringing a torrential ache.
Casandra Lopez was raised in Southern California’s Inland Empire and has an MFA from the University of New Mexico. She has been selected for residencies with the Santa Fe Art Institute and the School of Advanced Research where she is the Indigenous writer in resident for 2013. Her work can be found or is forthcoming in various literary journals such as Potomac Review, Hobart, Acentos Review, Weber–Contemporary West, and Unmanned Press. She is a founding editor of As/Us: A Space For Women Of The World.
Corner
Two hundred years ago
two walls and a floor
were smoothed
by the disciplined love
of the lathe.
The hands that held it
did not know
they were joining
the axis
of heaven and earth
to give comfort
to those in fear.
One hundred years ago
a soldier returned
from his prison,
but could not bear
the open space
of a room.
He turned
to the corner
for solace
and sat for hours,
cradled in its lines.
Fifty years ago
I stayed there too.
First, I stretched out
my arms to you,
holding them forever
in the perfect shape
of a triangle.
But you walked away.
And I stopped
my exercise
in human geometry
and settled
into these walls.
Their golden wood
embraced body
and cheek
and tired bone.
“Keep walking,”
I said to you
from the corner
as you became
smaller and smaller
in the distance.
The joining
of heaven and earth
would have to wait
for another day.
Laurie Patton earned a B.A. from Harvard University and a Ph.D. from the University of Chicago and is serving as professor of religion at Duke University. She teaches early Indian religions, comparative mythology, and religion and literature. Her scholarly interests also include the study of women and Hinduism in contemporary India. She is the author or editor of eight books and articles in this field. She has had two books of poetry published: Fire’s Goal: Poems from the Hindu Year (White Cloud Press 2003) and Angel’s Task: Poems in Biblical Time (Station Hill of Barrytown 2011). Her poems have been published in Nimrod International Journal, Calyx, CCAR Journal, Compass Rose, Confluence, Fox Cry Review, Grey Sparrow, Kerem, Phoebe, Plainsongs, Red Wheelbarrow Literary Magazine, Schuylkill Valley Journal of the Arts, Studio One, and Women’s Torah Commentary (United Reform Judaism Press).
What Remains
I.
My favorite across-the-street neighbor
says his sister Sarah only has one eye.
I ask him how he knows when she is winking.
He laughs like a song, doesn’t smile.
He has more teeth than I do
and likes to lie about his cyclopean sister
and who really broke that chair
at the curb on their side of the street.
I lean against the wobbly fence of his front yard,
and he sticks his left thumb through a hole in the wood.
We exchange lies until his Nanny
calls him inside for dinner.
II.
At the old house, the yellow house, Mom is music—
“Sing me ‘Crazy’,” I beg, my eyes wide
as the moon; my irises brown in a blue sky
like a bruise. “Sing me ‘Crazy’,”
I am pleading myself to sleep.
She picked up a guitar to fill an absence,
found it like treasure on the side of the road
where we pick flowers, out of gas,
waiting long for Triple A.
We bring them home
to our new house,
green wire fence.
III.
Mom brings her hammer
to their side of the street, crouches at the curb.
She pulls the nails out of the chair
like pulling a hair from my sweater.
I hold the green wire gate open for her, arms heavy.
She brings in the legs of the chair
long like bones, and scatters
the nails and the bones,
on the coffee table
in our den
like ashes.
Kimberly Ann Southwick is a poet, wife, and teacher living in Philadelphia. She is also the founder and editor in chief of the bi-annual, black & white literary arts journal, Gigantic Sequins. For more information visit her website http://www.kimberlyannsouthwick.com/. She can also be followed on twitter @kimannjosouth.
Fish and Feathers
I am hoarse anymore, and feathered
you said, most like, and I
imagined how it would be
to dive down past your glottis
overcast and steaming like congee
at one of those stalls imagine it
in Thailand with pedicab, why
all the men who leave me like cellophane
noodles with fish sauce and chicken
I will stand with the taco thank you
in front of the market, parking lot
they are all mad over fish
and peppers and bread sticks
and the details of the meal, and etc.
I glaze at their energy
it will take them hours
let alone the discussion
gathering carrying transporting
unpacking cutting mixing
is to them what pushing words
is to me maybe. People and fish
with flashing kernels and tucked wings
they are all mad over what kind of fish
little fish big fish spotted fish
stone fish sierra and huachinango
square mouthed disapproving like what
happened here, shrug dead
jazz hands on ice; a fish head
is a flummoxing thing
red faced to have been left
and I am that same girl you
said that very same one.
Rose Hunter’s book You As Poetry was recently released by Texture Press. She is also the author four paths (Texture Press), and to the river (Artistically Declined Press). She is originally from Australia, lived in Canada for ten years, and then Puerto Vallarta. She now resides in Mexico City where she keeps a photo blog of her surroundings here (http://rosesfotosdeldia.wordpress.com/). Catch her on twitter: @roseh400.
Charred
The heat charred wall,
soot like shadows blossom.
My black soul
owns the house,
the walls, deep
within the husk
of body I live
by. Pitch on fingers
lifted to face,
brushed across:
the damaged seat
of what show.
Terry Persun writes in many genres, including historical fiction, mainstream, literary, and science fiction/fantasy. He is a Pushcart nominee. His third poetry collection is And Now This (MoonPath Press). His novel, Cathedral of Dreams was a ForeWord magazine Book of the Year finalist in the science fiction category, and his novel Sweet Song won a Silver IPPY Award. His latest novel is, Ten Months in Wonderland, the story of one Airman stationed in Thailand at the end of the Vietnam War and how he gets caught up in the seedy underworld of booze and prostitutes. Terry’s website is: www.TerryPersun.com.
Tight Little Package
It’s when the tulip loses its cup:
the petals fall back
like a skirt raised up,
and the interested are able
to see the genital stamens,
the stigma—no, not that,
not the stain of disgrace,
but the receptive apex
of the flower’s pistil.
To stare at the apex is to
observe denuded composure,
is to meditate on containment
and all that upends it. What trips
the vaginal tulip, for instance?
Sibilant snakes? Biblical blame?
What else does one do
at the golden sunrise of a centerfold,
but witness?
The stigma of the tulip I inspect
for this poem is in the shape
of a cross—no, not that,
of the nailing and gnashing,
but x-like, or how I prefer my cross:
in the form of a kiss.
M. Nasorri Pavone’s poems have appeared in The Cortland Review, New Letters, Harpur Palate, DMQ Review and elsewhere. She also writes plays. Her latest, Feeding Time celebrated its world premiere at last year’s Hollywood Fringe Festival. She is a graduate of the University of California at Los Angeles and lives in Venice, California.
Crows Hunch
Out on the snow-covered pasture
crows wait like ice fishermen
hunched over augered holes
instead of trout they troll
for mice or prairie dogs.
Still enough to shiver
tiny tremors across
the snow-packed expanse
praying the ripples quiet
before reaching sensitive prey.
Diane Webster’s goal is to remain open to poetry ideas in everyday life or nature or an overheard phrase and to write from her perspective at the moment. Many nights she falls asleep juggling images to fit into a poem. Her work has appeared in Philadelphia Poets, Illya’s Honey, River Poets Journal and other literary magazines.
Luck
It must have been the penny she plucked
from the puddle of Parisian rainwater. Copper
pulled from month-old street juice and urine.
It must have been the boy on the carousel.
His wave to maman. The lion he sat upon,
her garish smile, brassy little queen.
Or the music. Notes thrown to the afternoon
like bread crumbs to the scattering of pigeons.
It must have been the old man hawking spun sugar.
The young couple kissing on the park bench,
jeans so tight the seams should have split, exposing
hairless thighs, creamy skin, undergarments.
Were they wearing undergarments? If so, it must
have been the undergarments. It must have been
their tongues touching like two throbbing heart valves,
the wings they were sprouting in their minds.
Or their mind, rather—just the one. Haven’t we all
been there? Isn’t someone always crouched behind
the bleachers, or soaking up grass stains on a
deserted soccer field, learning that the tongue is
the strongest muscle in the human body?
Or is that just a myth as well? Something that
teenage boys tell teenage girls in the backs of cars,
fingers on elastic, ecstatic with sweat. Come on.
Come on. Just this once let me get lucky.
Anna Lowe Weber’s work has appeared or is forthcoming in Rattle, Ninth Letter, Iowa Review, and Florida Review, among others.
How To Cure a Fright
Maile taught me to gamble on the penny slots. She said, All slot machines play in the key of C. It’s pleasing to us, the sound when you win. Various small parrots, electronic buttercups, gold coins. Smoke. A woman the color of driftwood. Superstitions aren’t mocked here, Maile said. It’s a pagan town. From my window, I can see the green MGM and treeless mountains.
***
The Facial Action Coding System (FACS) is only useful sometimes – only 43% recognized frightened faces. How do I know how you feel? I guess you have to tell me. I have to ask. 43%. Not even half. In Joanna Bourke’s history of fear there’s a photograph of a naked woman dragged to her lobotomy in 1950. She’s almost backed herself into a corner, but a smiling woman in a dark dress and no shoes blocks the corner with her bare feet in a kind of plié.
The woman being dragged has her head thrown back against the wall, hair thick, curly. Her one visible arm across her breasts is lifted toward the wall; her fingers touch it in a dead way. Because her head is thrown back, I can’t see her face, just her mouth, lips open wide toward the ceiling. Appealing for help beyond the dark dressed woman, the nurse reaches both arms toward her in an empty embracing gesture. The nurse’s white tights sheen and glitter like a dancer’s. The nurse is the only one wearing shoes (white). She wears a dark leather watchband on one weakly reaching wrist. It matches the only item on the dragged woman – a leather belt cinched around her waist with a tiny light circle. Next to the circle embedded in the leather is an inch or so of leather facing downward toward her thigh, as a belted belt can have the extra unnotched piece folded over itself. Perhaps she is too thin for the belt – she’s very thin. The belt has a strange holster that hangs from her waist halfway to her knee. It looks like it could hold half a rifle, a shotgun. But who would carry such a large gun on her body? Maybe there is more to this, more behind her. She has one foot (cut off in the photograph) on the wooden floor, one in the air, hidden from mid-thigh behind the nurse’s wide white dress.
Though struggling, she has the appearance of a doll. At least three other people here – two women draggers, the photographer. Where is her dress? Why are the walls filthy, black mold climbing? The dark dressed woman nearly has one foot in the black corner. Sixty-two years ago, the naked woman ended there. There is another wall behind the women attendants – it might be a door – gray/black with many scraped areas of white, as if knives have been taken to it, or nails. The caption: Other patients have to be held. The edge of the photo reads, The Welcome Trust.
***
I’d love to live above ground if possible. The first night in my DC sublet, I found dark red sauce splattered thickly on the kitchen walls, stove. A brown-stained tub that filled without a plug, water rising to my knees as I showered. Cholera toilet so encrusted I had to scrub it daily for a week – an archaeology of shit ran over my yellow gloves. The mattress on the floor looked dragged from a tenement a century ago. Yellowed, stained primary stripes underneath long decay. A ragged hole cut in the bottom center, apparently for storing items or a home dug by small animals. Another mattress on top, bedding gone except a top sheet crumpled on the couch. Was the previous tenant too afraid of the mattress to sleep on it? No towels. Beer cans, wine bottles beside the desk. Linoleum I thought patterned a wispy black and brown until I looked closer to find roaches ground down. My first morning, I opened the fridge to six inches of standing water and mold, produce drawers full to overflowing, a constant leak from above.
Under one kitchen cabinet, hundreds of dead roaches and broken glass. I tried to work fast to clean it all out, imagined I could make this livable. Not thinking, I dumped broken glass and swept-out roaches into plastic garbage bags. A shard easily cut through, sliced my leg. Blood, insects, filth, where are the Band-Aids, antiseptic? There’s a big white plastic jar in the dead roach cabinet, pushed to the back. I pulled it out, opened it on the linoleum. As I turned the lid, I thought, What kind of poison killed so many bugs? All in one cabinet? What made a roach graveyard? Too late, then, the lid came off in my hand, inside an orange powder. What kills bugs through a closed jar? Fear I breathed it; I called my landlord across the country, asked, What is the orange powder? He said, I don’t know. I’ve never even opened that cabinet – it’s behind the garbage can.
I tried to write, but the furniture gave me hives. Wore long sleeves in case my arms touched the armrests of a chair, the sticky desk. It was impossible to eat. I tried to keep yogurt in the fridge after I’d drained it with a bucket like a sinking boat. I scrunched small containers along the side, away from the waterfall splashing in a pot. But I worried about spores. Above me on kitchen shelves were boxes of soup that had reached their expiration years ago. The fridge held a collection of wet jars – fancy jams and vinegars from some luxurious past. Why hoard so many condiments? The place felt post-apocalypse. Paper bags stuffed with papers stacked around the desk. Two closets: one so jammed it would not open, another heaped with clothes that rose almost to the ceiling. In glass cabinets were dusty books and martini glasses, brandy snifters. More empty wine bottles. Open bottles of whiskey, scotch. Alcoholic, and sick of all the booze around, I stored it in the poison cabinet, along with the glassware. Tore a piece of multipurpose copy paper in half, wrote: I think the white container is full of poison. Placed it in a snifter.
It was hard to sleep. In the bedroom, my clothes hung on a portable wardrobe rod or folded on a dresser top. Dust layered the wooden floor, bureaus, mirror, broken air conditioner in the middle of the room, a weight bench. I kept the windows open because of the smell: burnt, sopping, foul. It was late August. I’d once worked in an office that had been not only underwater, but a storage facility for city water. Tiny windows up high looked down on the lake. The floor had been scattered with limestone balls for purifying lake water. Then, the building was turned into an opera house. Sitting at my desk, I’d imagine the water all around, an aquarium. Limestone rolling like small bowling balls, chalky white and green, a breath mint for the water. Even with all that water, my office never smelled like this apartment — stagnant with bacteria, their little tails.
At night I could hear people talking outside. Cars. I wished I knew someone. My landlord said he had a friend. I called him. We met for coffee. He talked about Ralph Nader. He said sometimes there were muggings in our neighborhood, but that shouldn’t stop me from going anywhere. You can walk to the White House, he said. DC’s a small town. Or bike, he said. When I mentioned the state of the apartment, he seemed to find me finicky. I still had a little optimism then, some brightness. I was living in a city!
In my ID card photo, I’m bedraggled from the walk uphill in a storm, through the river trough of water that ran downhill. Wading to the station, a train, another train, and another walk in rain. My shoes, socks soaked. But in the library basement, in front of the photographer, I tried to smile. When I grimaced at my laminated face, she said, Everyone thinks I’m a photographer. I’m a government employee. In the apartment, the toilet stopped flushing – more bugs, something new crawling on the floor.
One of the German scholars at the library, Sascha, finds a place I can live for a couple of weeks. A basement. Cat litter box by the door, just a room with bath, but clean with a closet and a door leading outside – so when it’s closed it’s not like a cement tomb. No more daily trains – I can walk.
There were police with assault rifles on my walk. When I walked to the Capitol, police were on top of the building, rifles aimed. Another behind the library, gun barrel pointed downward. There had been a threat, specific, but unconfirmed, of a car bomb as I walked through the city. On the sidewalk, I passed a policeman with his rifle just inches away. He asked, How are you doing? When I answered him, my voice was so slowed down – a record on the wrong speed – I didn’t recognize it. In the Capitol I’d been in the old House of Representatives meeting room. It seemed small for all its history. But someone reminded me that men were generally smaller then, and they sat at little desks, the states fewer then, too. But still. A high school cafeteria would be bigger.
I had imagined my apartment here would be something else too. Like my yellow two-bedroom rental house by the ocean, transplanted to a city. Higher up, but serene with room for Alan to visit, Linda, and Teresa. I thought we might see a ballet. But here there is never room for anyone to visit. There’s barely room for me.
***
My place in the book was frozen. What I read: it said I would have to imagine the world without you. I knew I could never do that. I worry that imagining something may help to make it true, like a wish, a prayer. So how can I imagine what I most fear? What if it helps to make it happen? When my brother’s son, John, was just past being a baby, a toddler, he came to me in the living room of my parents’ house in Florida. Walked to me on the carpet and asked if dreams can come true. I said something cloudy about sleeping dreams or wishing dreams or both. But felt I’d had the right tone of comfort and confidence. Then, John said, But Sleeping Beauty said that dreams come true. Are my fears the fears of a four year old?
***
You may find that your thinking is characterized by more than one distortion.
Intolerance of uncertainty is a common cognitive distortion as is an inflated sense of responsibility. I want to find the author of my worry book, track him down at his anxiety institute. Ask if he saw that issue of Time that I found in a used bookstore about fifteen years ago (the issue much older). Yellow cover and either a winged image or hands in prayer (the steeple, inside all the people) or both. The cover article on the power of prayer; instances of prayer working, maybe even scientific proof (a study). The magazine had disappeared when I went to look for it, replaced by a yellow cover of Time with the image of Jesus, his face all calm love.
Also, what about positive thinking and imagining what you want – visualization – to make things happen. What about that, Doctor? Are you familiar with the power thoughts are thought to have?
***
Chronophobia is the fear of time. People who suffer from this are often prisoners. They cannot speak, the world narrows. There are overwhelmingly haunting thoughts.
***
How to Cure a Fright: 1) Find the person who does the cure; 2) Get a red hot key.
Be bled. Wear or drink hyacinth. You’ll need a healer to feel the suffering in your pulse and temples. Fear must be charmed out of the body. It was thought fright could make a person so weak, a demon could enter, possess them. I remember a girl in a recovery meeting who had been in the Navy’s Detox program after me. Either she, or another girl who witnessed the event told me the story. While in treatment, the girl had been vulnerable, and a presence had possessed her. She said it spoke through her in their circle, in group. I remember thinking of darkness over their circle, swooping in on her, on a weakened space in her aura. I thought I have to be strong. Envisioned my aura like the weave in a coat. If torn, I’ll have to mend it.
***
Mouth of Fire is the movie in which an old woman, Marte Herlof, tied to a ladder, falls face first into the fire. The real name is Day of Wrath. In the movie, old, black and white, another woman’s eyes are wide with an inward slant. Something hidden. Shifting light on water. Hard to fix on. It’s suggested she may have her mother’s power of wishing, witchness. She’s young, and her old husband, a pastor, who may have never loved her, asks if she has the power to wish things to happen. To curse.
She floats in a rowboat with her old husband’s son whom she loves, but he abandons her. It’s Denmark, 1623. She wears a white collar and cuffs, white brimmed cap, white apron even in the boat. She and the son hold hands. The movie is based on a play – Anne Pedeersdotter – based on real life in sixteenth century Norway; a real woman who fell in love with her old husband’s son. The woman who plays Marte is eighty years old, sentenced to burn at the stake for witchcraft, for wishing harm to another. For harm happening.
The pastor in his dark robe keeps asking his wife if she has wished him dead. She looks cornered, eyes flickering with candlelight inside, and she says yes. She wished him dead. And then he immediately dies in front of her, a heart attack. She goes to court in what looks like a tomb. She appears to sit on the edge of a coffin to confess. We’ve already seen what happened to the old woman after being made to confess, the way they tied her to trees. Fire in front of her. Then her body raised on trees, the wooden frame. As if they were raising the wall of a house with a woman roped to the inner beams, tied down. And then, after it was perpendicular to the ground, the boy singers sang and watched her. The men below pushed the frame forward, and the old woman fell face first into the flames. She screamed going down, but once she hit the flames – silence – her mouth full of fire. Then no more mouth.
***
The next day, I met Oksana for coffee at the Coffee Bean & Tea Leaf across from school. On the news, I’d heard of many pedestrians struck down by cars. It seems as if a week cannot pass without a motorist striking and killing somebody walking. In the Las Vegas Valley, 29 pedestrians have been killed this year. The highway across from my conference-housing dorm is the second busiest north-south street in town. My decision to live here for five months without a car was ill advised. I wait for a clear space, walk fast.
Oksana told me about cursing. She said that even now in Russia, or in the very recent past, one could go to court and say they’d been cursed. The court would have to check it out. The curse investigated. Oksana said the pagan, the Christian, and the superstitious were hidden behind a wall of Communism. But not gone. Just behind it.
***
If you are threatened by dogs in Bali, Evan said you should reach down as if to pick up a rock. You don’t have to actually pick one up, it’s just the reaching that’s necessary, and the dogs will retreat. Simen could hear the dogs at night alone in his room. He began to think maybe he’d been poisoned.
***
Howard Hughes lived at the now demolished Desert Inn in Vegas. He stayed on the top two floors for four years straight. Bought the hotel. How easy it is to just stay inside. And then he disappeared in the night without being seen.
***
O my terrified my obdurate/my wanderer/keep the trail – Adrienne Rich
***
In Vegas, I was drawn to the necklace, gold swirl interlocking with a brown leather cord – but it was Maile who said, Is that a snake? And it was, my fingers on the bumpy gold. I liked touching what I was afraid of, wearing it around my neck. Like a talisman, Maile said. I’m not sure that’s it. Maybe she meant amulet. Not to protect me against what I fear – the alley of snakes I dreamed at 15 – but to wear what I fear. To move around in the world with what I fear around my neck, unafraid.
***
Bring some luck to the table, the guy next to me said at my first roulette. Lit up, surprised that I might have some.
***
In “The Great Dog Massacre,” Mark S.R. Jenner, said that one early attempt to combat plague was the large-scale slaughter of dogs and cats. People need something to do against the unknown, fear. They need an object. Then they need a task.
***
At the store near where Japanese radiation landed on Flamingo, I bought a very soft dark blue blanket to cover my scratchy couch. But I put it on my bed at night, over the green blanket on which someone had inked a smiley face. I’d found it in a plywood closet, the face creepy. One wall is the color of grape soda. The sign outside my building says “Central Desert Complex.” Instead of grass, there is a lawn of sharp rocks. Baseball sized, if baseballs were all edges, heavy. Outside are bushes that look like Cousin It made of grass instead of hair, rows of them all together: a family.
I have signs inside too. One in my bedroom; one in my “TV room.” Though the rooms are identical dorm rooms made into one unit – a small bathroom with toilet and shower in between. The bathroom doors both have signs that read: “OCCUPIED.” The bedroom and the TV room each have a sink with a sign glued to the mirror that says, in thick red letters, “DO NOT PUT FOOD IN SINK.” They’re just regular bathroom sinks. I’m at the top of an old building, sixth floor. The long, glistening red hallway of doors, absent of other people, reminds me of The Shining. When I meet a man in the elevator, he can’t stop talking, says, You’re the first person I’ve seen up here in months. But he leaves the next day.
One night, I walked down the hallway to the elevators, trash bag to take out. A horrible smell in the hallway six or seven doors away, I’m already gagging. Reek of spoiled animal and what else? On a bike that summer, I’ll pass a decomposing deer on a twice-daily basis. This is worse. A man is vacuuming the room. Door wide open. I hold my breath, rush past. Toss my trash in the ground floor dumpster, breath fresh air. I have to get by the room again. There’s only one way in. In the hallway, the man and I pass each other. He carries a big bundle of bedding, including a brown thing, maybe a mattress pad. All of it held slightly away from his body and putrid. Door shut, but the smell is still horrendous. I didn’t ask. I had no other place to go. Open my windows even though it’s winter, cold. Even though one window had no screen, and Nevada has bats. The material of the green blanket I’d found was thick and weirdly stiff – extra flame retardant or flammable. Like felt with cardboard in it. I drape the ocean dark blue over it. Let it touch my face, lean into it.
Kelle Groom is an author of the memoir, I Wore the Ocean in the Shape of a Girl (Simon & Schuster) and three poetry collections, most recently, Five Kingdoms. Groom’s work has appeared in Agni, The New Yorker, New York Times, Ploughshares, Poetry, and Best American Poetry 2010. For more information please visit her website here (http://www.kellegroom.com/).