Camera Obscura
Late in the day it develops
this certainty
we will never go to Venice together
my father and I
through an aperture fine as a distant baluster
platinum with sun
glimpsed through a parapet’s limestone latticework
it materializes
striates a plain expanse of kitchen wall
with insistent ribbons
of pearl butter flamingo apricot coral brick
aquamarine azure
seafoam island clouds their taste whimsical and serene
as a piazza flooded
with velvets and sighing silks in the dawning
while miles away
my father distills for me his memory of evergreens
so it is easy to live
without the sirocco and the bridges and the cloistered
cedars of Venice
easy to dissolve with my shadow the lagoon vision
brief fissure
between lightfall
and a stupendous, stupefying night
Carolyn Oliver is the author of The Alcestis Machine (Acre, 2024); Inside the Storm I Want to Touch the Tremble (University of Utah Press, 2022), winner of the Agha Shahid Ali Prize in Poetry; and three chapbooks, including, most recently, Night Ocean (Seven Kitchens Press, 2023), which was selected for the Rane Arroyo Series. Her poems appear in Poetry Daily, TriQuarterly, Ecotone, Copper Nickel, Image, Consequence, and elsewhere. She lives in Massachusetts. Her website is carolynoliver.net.