Naga Claw
They say: I can’t imagine or This must be part of God’s Plan and He’s in a better place Though as the sister who watched the silent video footage there were no signs of distress, he waited in a cold church in March, sitting unarmed before a desk with a sign about freedom for all. Some images can’t be unseen it’s no help offering clichés like feeding capsaicin to birds who are immune to the burn of hot peppers. When the word passed is used as a substitute for murder I want to scream onto a platter of angel cake. Everything happens for a reason: more platitudes they hide behind to avoid gaping grief. When bullets infest your brother’s body, you don’t see the silver lining clouds are said to have. You want ten plates of Carolina Reapers. You are crying over spilled milk. What a showdown: a church emptied, two officers aiming— always aiming—at a body then shooting until that body stops moving, stealing your somebody how you never could’ve imagined they’d go.
Krystle May Statler (she/her) is a Black-multiracial woman, interdisciplinary poet, artist, and designer, and the author of Prayer for Relief (2024). Her art centers memory, mourning, and meaning-making as she explores how storytelling dignifies, amplifies, and honors what’s often overlooked or unspoken. Her poems are featured in The Black Fork Review, Poetry South, Epiphany Magazine, Fugue, or are forthcoming. She lives in Portland, OR and more of her creativity can be found at krystlemaystatler.com.